“Stop to appreciate the exquisite detail in this watercolor on ivory miniature. Adaline Peters Brown's direct gaze and the luminous quality of the portrait offer a captivating glimpse into 19th-century personal keepsakes.”
In this delicate miniature, Adaline Peters Brown gazes out with a direct, engaging expression, her dark hair neatly parted and pulled back. The artist, William Henry Brown, captures her features with remarkable precision, from the subtle blush on her cheeks to the individual strands of hair framing her face. She wears a simple dark dress, allowing the focus to remain on her countenance, which is illuminated by a soft, even light. This intimate watercolor on ivory portrait, created in 1843, reflects a popular practice of the era for preserving the likenesses of loved ones. The small scale and precious materials would have made such a portrait a cherished personal object, designed to be held and admired up close.
- Artist
- William Henry Brown
- Date
- 1843
- Medium
- Watercolor on ivory
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 3 1/16 x 2 1/2 in. (7.8 x 6.4 cm) Ivory: 3 1/8 x 2 3/4 in. (7.9 x 7 cm)
- Collection
- The American Wing
- Culture
- American
- Credit line
- Maria DeWitt Jesup Fund, 1990
What to Notice
Four details hide in plain sight. Here’s where to look.

The delicate brushwork defining the lace collar and pleats of her dress.
The subtle rosy tint on her cheeks and lips, giving life to her expression.
The way her dark hair is meticulously rendered, showing individual strands.
The smooth, luminous quality of the ivory surface itself.
Stand in front of it and listen
The full narration walks you through Adaline Peters Brown — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
William Henry Brown
1815–1875William Henry Brown, known for his silhouette portraits and early photographic experiments, captured the likenesses of figures like John Quincy Adams.
Further Works by Brown
Silhouette of a Young Man Before an Open Window, Facing Right
1830 · The Metropolitan Museum of Art
Portrait of a Woman before a Window
1845 · The Metropolitan Museum of Art
Ada Brown
1847 · The Metropolitan Museum of Art
Benjamin Daniel Greene
1848 · The Metropolitan Museum of Art
Choosing of the Arrow
1849 · The Metropolitan Museum of Art
Filatrice
1850 · The Metropolitan Museum of Art
Indian Figure in Profile
1851 · The Metropolitan Museum of Art
Benjamin Franklin
1852 · The Metropolitan Museum of Art
More works to explore
Beyond Brown: works from the same years.
Same era · 1820s–1850s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1820s–1850s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
Dmitriy Petrovich Voeykov
Vasily Andreevich Tropinin · 1842 · Tretyakov Gallery
