Indian Figure in Profile by William Henry Brown

Indian Figure in Profile

William Henry Brown · 1851

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“Stop to appreciate this dignified 1851 watercolor portrait of an Indigenous man, meticulously rendered with a bow and arrow, offering a window into 19th-century American art and its portrayal of Native Americans.”

ABOUT THIS WORK

This striking profile portrait captures a man in what appears to be a ceremonial or traditional pose, holding a bow and arrow. The artist, William Henry Brown, created this watercolor and graphite work in 1851, a time when depictions of Indigenous peoples were often romanticized or exoticized for a Euro-American audience. The figure’s gaze, directed outward beyond the frame, gives him an air of quiet dignity and introspection. Brown's use of watercolor allows for a softness in the rendering of the man's hair and facial features, while graphite defines the sharp lines of his profile and the details of his attire. The gilt-edged Bristol board, a relatively luxurious material, suggests this was intended as a finished piece, perhaps for display in a parlor or private collection. The artwork offers a glimpse into 19th-century American perceptions and representations of Native Americans.

DETAILS
Artist
William Henry Brown
Date
1851
Medium
Watercolor and graphite on thin off-white gilt-edged Bristol board
Location
The Metropolitan Museum of Art
Dimensions
14 1/8 x 10 7/16 in. (35.9 x 26.5 cm) Mat: 19 1/4 × 14 1/4 in. (48.9 × 36.2 cm)
Collection
The American Wing
Culture
American
Credit line
Morris K. Jesup Fund, 1989
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What to Notice

Five details hide in plain sight. Here’s where to look.

Indian Figure in Profile
01

The intricate feather details on the figure’s hairpiece.

02

The delicate gold edge of the Bristol board, framing the portrait.

03

The subtle shading in graphite that defines the man's strong profile.

04

The precise rendering of the bow and arrow he holds.

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THE ARTIST

William Henry Brown

1815–1875

William Henry Brown, known for his silhouette portraits and early photographic experiments, captured the likenesses of figures like John Quincy Adams.

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