“This painting appears to capture a fleeting moment in a Parisian café, but look closely: the background is a repurposed painting, and subtle clues invite you to question the woman's true identity and the scene's authenticity.”
A woman in a coat, hat, and gloves is engrossed in a newspaper at what appears to be a Parisian café. The casual pose and fleeting moment suggest an Impressionist sensibility, with vibrant colors and quick brushstrokes capturing an everyday scene. However, this impression is somewhat deceptive. The background, for instance, is actually one of the artist's earlier paintings, repurposed here, and details like the marble table and beer mug were added later to create the illusion of a public setting. This blend of spontaneity and careful construction is a hallmark of the work. The painting also invites questions about the woman's identity. While her attire and focused reading suggest respectability, the presence of a beer mug and the context of women in cafés in 19th-century Paris could hint at a more ambiguous social role, a recurring theme in Manet's art.
- Artist
- Édouard Manet
- Date
- 1878
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
What to Notice
Five details hide in plain sight. Here’s where to look.

The thin gray wash of the open newspaper and fichu collar
Faint charcoal marks visible under the woman's features
The blue behind her head, originally part of a watering can
The artist's signature in dark blue on the lower left of the table
1 more detail is waiting.
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Édouard Manet
1832–1883 · FranceScandalous modernist who shocked Paris by painting everyday life and became the reluctant father of Impressionism.
Further Works by Manet
Beggar with a Duffle Coat (Philosopher)
1864 · Art Institute of Chicago
Beggar with Oysters (Philosopher)
1864 · Art Institute of Chicago
Fish (Still Life)
1864 · Art Institute of Chicago
Sea View, Calm Weather (Vue de mer, temps calme)
1864 · Art Institute of Chicago
Jesus Mocked by the Soldiers
1865 · Art Institute of Chicago
Boy with Pitcher (La Régalade)
1866 · Art Institute of Chicago
The Races at Longchamp
1866 · Art Institute of Chicago
The Man with the Dog
1877 · Art Institute of Chicago
More from Impressionism
More works to explore
Beyond Manet and Impressionism: works from the same years.
Same era · 1860s–1890s
Cart with Black Ox
Vincent van Gogh · 1884 · Portland Art Museum
Same era · 1860s–1890s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Chariot Race
Léon-Victor Dupré · 1876 · Art Institute of Chicago
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Fan Mount: The Cabbage Gatherers
Camille Pissarro · 1878 · Metropolitan Museum of Art
Same era · 1860s–1890s
Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
Pierre-Auguste Renoir · 1879 · Art Institute of Chicago
Same era · 1860s–1890s
Arrival of the Normandy Train, Gare Saint-Lazare
Claude Monet · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Beata Beatrix
Dante Gabriel Rossetti · 1877 · Birmingham Museums Trust
Same era · 1860s–1890s
On a Balcony
Mary Cassatt · 1879 · Art Institute of Chicago
Same era · 1860s–1890s
Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin)
Edgar Degas · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Woman at Her Toilette
Berthe Morisot · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Still Life: Wood Tankard and Metal Pitcher
Paul Gauguin · 1880 · Art Institute of Chicago




