“Stop to examine these two contrasting head studies by Stefano Mulinari. One is rendered with thoughtful detail, the other with a softer, more idealized touch, revealing different approaches to capturing human expression in a single print.”
In this intimate print, Stefano Mulinari presents two distinct studies of heads, each offering a glimpse into the artist's keen observation. On the left, a man's head is rendered with a thoughtful expression, his gaze directed slightly downward, suggesting introspection or perhaps a moment of quiet contemplation. The lines are delicate yet firm, capturing the contours of his face and the subtle shading that gives his features depth. To the right, a different head emerges, possibly a woman or a younger man, depicted with a softer, more idealized quality. The contrast between the two studies—one seemingly more naturalistic, the other perhaps more classical—invites us to consider the varied approaches an artist might take when depicting the human form. This etching, possibly incorporating aquatint, showcases Mulinari's skill in printmaking, allowing for a nuanced play of light and shadow within a small format. The work, created around 1750, predates the artist's more frequently dated etchings, offering an early example of his hand.
- Artist
- Stefano Mulinari
- Date
- 1750
- Medium
- Etching and aquatint (?)
- Location
- The Metropolitan Museum of Art
- Dimensions
- sheet: 5 x 5 7/8 in. (12.7 x 14.9 cm)
- Collection
- Drawings and Prints
- Credit line
- Rogers Fund, 1962
What to Notice
Five details hide in plain sight. Here’s where to look.

The subtle difference in line quality between the two heads.
The downward gaze of the head on the left.
The softer, more idealized features of the head on the right.
How shading creates depth in both faces.
1 more detail is waiting.
See all 5 in Art Whisper →Stefano Mulinari
1741–1790Italian engraver who transformed devotional scenes into intimate etchings with aquatint and colored washes.
Further Works by Mulinari
Madonna and Child with Saints Peter and Paul
1750 · The Metropolitan Museum of Art
Saint Jerome in Penitence
1750 · The Metropolitan Museum of Art
Winged Figure
1750 · The Metropolitan Museum of Art
Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right
1756 · The Metropolitan Museum of Art
Descent of the Holy Ghost
1760 · The Metropolitan Museum of Art
Flagellation of Christ
1760 · The Metropolitan Museum of Art
Saint John the Baptist with a lamb
1766 · The Metropolitan Museum of Art
More works to explore
Beyond Mulinari: works from the same years.
Same era · 1730s–1760s
Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780)
Maurice Quentin de Latour · 1752 · Art Institute of Chicago
Same era · 1730s–1760s
Richard Walker (1679–1764), Vice-Master and Horticulturist
John Theodore Heins · 1751 · Trinity College
Same era · 1730s–1760s
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
Philippe de la Salle · 1765 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Flying Figure Holding a Crown, Reclining River God
Jacques-Louis David · 1760 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Side Chair
Artist Unknown - The Mercat Cross, Aberdeen · 1750 · Art Institute of Chicago
Same era · 1730s–1760s
Medal cabinet
William Vile · 1760 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Hunter with Hounds
Höchster Porzellan-Manufaktur · 1755 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Image of an Empire in Peace and Prosperity
Zhou Kun · 1745 · National Palace Museum
Same era · 1730s–1760s
Landscape
William Wooller · 1763 · Cleveland Museum of Art
Same era · 1730s–1760s
View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi · 1763 · Art Institute of Chicago
