View of Ponte Lugano on the Anio, from Views of Rome

Giovanni Battista Piranesi, 1763

MEDIUMEtching on heavy ivory laid paper
DIMENSIONSImage: 45.2 × 66.1 cm (17 13/16 × 26 1/16 in.); Plate: 46.1 × 66.9 cm (18 3/16 × 26 3/8 in.); Sheet: 49.8 × 72.9 cm (19 5/8 × 28 3/4 in.)
LOCATIONArt Institute of Chicago
COLLECTIONPrints and Drawings
CULTUREItaly
CREDIT LINEElizabeth Hammond Stickney Collection

Stop to appreciate how Piranesi transforms a real Roman ruin into a dramatic, almost theatrical scene, using intense light and shadow to emphasize its monumental scale and enduring presence.

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ABOUT THIS WORK

This etching captures the ancient Roman Ponte Lucano, or Lugano Bridge, spanning the Anio River near Tivoli, with the imposing circular Tomb of the Plautii to its right. The bridge, a testament to Roman engineering, appears weathered yet resilient, its arches reflecting in the water below. The scene is bathed in a dramatic light, typical of Piranesi's approach, which emphasizes the monumental scale of the ruins against a vast sky. This work is part of his celebrated series, "Views of Rome," which transformed mere topographical renderings into powerful, evocative images. He often infused these scenes with a sense of the sublime, portraying the grandeur and decay of antiquity. Here, the human figures are dwarfed by the structures, underscoring the enduring presence of these ancient marvels and the fleeting nature of human existence.

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What to Notice

1

The intricate details of the bridge's stone blocks and arches

2

The reflection of the bridge and tomb in the river below

3

The small figures on the bridge, highlighting its immense scale

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Audio Deep Dive

Stop to appreciate how Piranesi transforms a real Roman ruin into a dramatic, almost theatrical scene, using intense light and shadow to emphasize its monument…

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THE ARTIST
Giovanni Battista Piranesi

Giovanni Battista Piranesi, the 18th-century Italian master of etching, transformed the ruins of Rome into dramatic, atmospheric visions that captivated Grand Tourists and shaped Neoclassicism.

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