“Stop to appreciate how Piranesi transforms a real Roman ruin into a dramatic, almost theatrical scene, using intense light and shadow to emphasize its monumental scale and enduring presence.”
This etching captures the ancient Roman Ponte Lucano, or Lugano Bridge, spanning the Anio River near Tivoli, with the imposing circular Tomb of the Plautii to its right. The bridge, a testament to Roman engineering, appears weathered yet resilient, its arches reflecting in the water below. The scene is bathed in a dramatic light, typical of Piranesi's approach, which emphasizes the monumental scale of the ruins against a vast sky. This work is part of his celebrated series, "Views of Rome," which transformed mere topographical renderings into powerful, evocative images. He often infused these scenes with a sense of the sublime, portraying the grandeur and decay of antiquity. Here, the human figures are dwarfed by the structures, underscoring the enduring presence of these ancient marvels and the fleeting nature of human existence.
- Artist
- Giovanni Battista Piranesi
- Date
- 1763
- Medium
- Etching on heavy ivory laid paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 45.2 × 66.1 cm (17 13/16 × 26 1/16 in.); Plate: 46.1 × 66.9 cm (18 3/16 × 26 3/8 in.); Sheet: 49.8 × 72.9 cm (19 5/8 × 28 3/4 in.)
- Collection
- Prints and Drawings
- Culture
- Italy
- Credit line
- Elizabeth Hammond Stickney Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate details of the bridge's stone blocks and arches
The reflection of the bridge and tomb in the river below
The small figures on the bridge, highlighting its immense scale
The circular, turret-like form of the Tomb of the Plautii
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through View of Ponte Lugano on the Anio, from Views of Rome — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Giovanni Battista Piranesi
Giovanni Battista Piranesi, the 18th-century Italian master of etching, transformed the ruins of Rome into dramatic, atmospheric visions that captivated Grand Tourists and shaped Neoclassicism.
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