“Stop to see these elegant porcelain pieces, crafted in China around 1800, which served as a poignant memorial to George Washington, filled with symbolic imagery of national mourning.”
These four porcelain pieces, two sauceboats and two covered tureens, were created around 1800 to commemorate George Washington, who had died the previous year. You can see the somber occasion reflected in the imagery. Each piece is decorated with symbols of mourning popular at the time, including a weeping willow tree, a prominent tomb, and an eagle. The porcelain itself is a hard-paste variety, meticulously glazed and gilded, indicating its high quality and the status of its original owners. This set was part of a larger service, commissioned by wealthy American consumers from Chinese artisans specifically for export to the United States. Such commemorative wares were a popular way to honor important national figures and events, blending Chinese craftsmanship with American historical sentiment.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1800
- Medium
- Hard-paste porcelain and glaze with gilding
- Location
- Art Institute of Chicago
- Collection
- Arts of the Americas
- Culture
- China
- Credit line
- Purchased with funds provided by Mrs. Herbert A. Vance and an anonymous donor
What to Notice
Four details hide in plain sight. Here’s where to look.

Look for the weeping willow tree, a traditional symbol of mourning.
Spot the prominent tomb depicted on the porcelain surface.
Notice the American eagle, a national symbol, also present in the design.
Observe the intricate gilding that highlights the details and edges of each piece.
Stand in front of it and listen
The full narration walks you through Two Sauceboats and Two Covered Tureens from the Washington Memorial Service — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Flower Arrangements
1595 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1780s–1810s
Dolbadarn Castle
J. M. W. Turner · 1800 · National Library of Wales
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Napoleon Crossing the Alps
Jacques-Louis David · 1800 · Musée national de Malmaison et Bois-Préau
Same era · 1780s–1810s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
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Joseph-Antoine Moltedo (born 1775)
Jean-Auguste-Dominique Ingres · 1805 · The Metropolitan Museum of Art
Same era · 1780s–1810s
The Third of May 1808
Francisco Goya · 1814 · Museo del Prado
Same era · 1780s–1810s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1780s–1810s
Mrs Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1780s–1810s
John Blake (1770–1810), Mayor of Maidstone (1799)
Samuel Drummond · 1799 · Maidstone Museum and Bentlif Art Gallery
Same era · 1780s–1810s
Winchester from the South
Tobias Young · 1803 · Winchester Guildhall
Same era · 1780s–1810s
Cilgerran Castle
William Havell · 1805 · National Museum Cardiff
Same era · 1780s–1810s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1780s–1810s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
