“Stop to see this powerful early engraving by Peter Paul Rubens, where dramatic light and shadow amplify the raw emotion of Christ's lamentation, drawing you into a moment of profound grief and reverence.”
This engraving, created early in Peter Paul Rubens's career, captures a profoundly emotional moment: the lamentation over the dead Christ. His body, pale and lifeless, is supported by a sorrowful Saint Francis and two angels. The composition draws the viewer's eye to the central group through the stark contrast of light and shadow, a hallmark of the Baroque style. Notice how the figures are tightly clustered, emphasizing their shared grief and the gravity of the scene. The angels' expressions, one gazing upwards in anguish and the other tenderly supporting Christ's arm, add a deeply human dimension to this sacred subject. This print reflects the Counter-Reformation's emphasis on dramatic and immediate emotional connection, inviting personal reflection on suffering and redemption.
- Artist
- Peter Paul Rubens
- Date
- 1603
- Medium
- Engraving
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 19 3/16 × 14 15/16 in. (48.8 × 38 cm)
- Collection
- Drawings and Prints
- Credit line
- The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
What to Notice
Five details hide in plain sight. Here’s where to look.

The way Christ's body sags, emphasizing its weight and lifelessness.
Saint Francis's expression of deep sorrow, his gaze fixed on Christ.
The intricate folds and textures of the drapery, especially Christ's loincloth.
The angel on the right, tenderly holding Christ's hand and forearm.
1 more detail is waiting.
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Peter Paul Rubens
1577–1640 · Spanish NetherlandsFlemish master who blended diplomacy with art, creating movement-filled Baroque masterpieces across Europe.
Further Works by Rubens
Wolf and Fox Hunt
1611 · The Metropolitan Museum of Art
Portrait of a Woman, Probably Susanna Lunden (Susanna Fourment, 1599–1628)
1625 · The Metropolitan Museum of Art
Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)
1630 · The Metropolitan Museum of Art
The Glorification of the Eucharist
1630 · The Metropolitan Museum of Art
The Capture of Samson
1609 · Art Institute of Chicago
Venus and Adonis
1610 · Museum Kunstpalast
Saint Francis
1615 · Art Institute of Chicago
St. Albert of Louvain
1620 · Art Institute of Chicago
More from Baroque
More works to explore
Beyond Rubens and Baroque: works from the same years.
Same era · 1580s–1610s
The Feast in the House of Simon
El Greco · 1600 · Art Institute of Chicago
Same era · 1580s–1610s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1580s–1610s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1580s–1610s
Flower Arrangements
Artist Unknown - The Mercat Cross, Aberdeen · 1595 · Art Institute of Chicago
Same era · 1580s–1610s
The Calling of Saint Matthew
Hendrick ter Brugghen · 1609 · Museum of Fine Arts, Budapest
Same era · 1580s–1610s
Merrymakers at Shrovetide
Frans Hals · 1610 · Metropolitan Museum of Art
Same era · 1580s–1610s
The Supper at Emmaus
Diego Velázquez · 1618 · Metropolitan Museum of Art
Same era · 1580s–1610s
La Pratique de l'Aiguille
Matthias Mignerak · 1605 · The Metropolitan Museum of Art
Same era · 1580s–1610s
The Virgin and Child with Saint Anne
Georges de La Tour · 1600 · The Metropolitan Museum of Art
Same era · 1580s–1610s
Flowers and Birds
Zhou Zhimian · 1595 · Los Angeles County Museum of Art
Same era · 1580s–1610s
Female Head
Gaetano Gandolfi · 1592 · Art Institute of Chicago
Same era · 1580s–1610s
Fiori di Ricami Nuovamente Posti in Luce, page 18 (recto)
Matteo Florimi · 1591 · The Metropolitan Museum of Art




