“Stop and observe the remarkable subtlety of this red chalk drawing. It's a masterclass in capturing human expression and form with minimal means, inviting you to appreciate the quiet beauty of a fleeting moment.”
This red chalk drawing captures a woman's head, her gaze directed slightly downward and to the right, suggesting a moment of contemplation or perhaps a pose for the artist. The delicate lines and subtle shading create a sense of softness and volume, particularly around her chin and the curve of her neck. Notice how the light seems to fall from above, illuminating her forehead and the bridge of her nose, while shadows deepen beneath her chin and in the folds of her hair. The artist, Gaetano Gandolfi, was part of a Bolognese tradition that emphasized anatomical precision and drawing from live models, a practice evident in the lifelike quality of this study. This work, laid down on blue paper, highlights the artist's skill in rendering human form with a sensitive touch, transforming a simple study into an engaging portrait.
- Artist
- Gaetano Gandolfi
- Date
- 1592
- Medium
- Red chalk on ivory laid paper, laid down on blue paper
- Location
- Art Institute of Chicago
- Dimensions
- 34.5 × 28.8 cm (13 5/8 × 11 3/8 in.)
- Collection
- Prints and Drawings
- Culture
- Italy
- Credit line
- The Leonora Hall Gurley Memorial Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The subtle blush of red chalk on her cheek, suggesting warmth.
The gentle curve of her neck, almost disappearing into shadow.
The soft, wispy lines of hair escaping her coiffure.
The delicate rendering of her eyelids and the hint of an eyebrow.
1 more detail is waiting.
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Gaetano Gandolfi
Gaetano Gandolfi, a master of the late Baroque Bolognese school, captivated audiences across Europe with his dynamic biblical, mythological, and allegorical works.
More works to explore
Beyond Gandolfi: works from the same years.
Same era · 1570s–1600s
Saint Francis Kneeling in Meditation
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The Entombment of Christ
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Same era · 1570s–1600s
Flower Arrangements
Artist Unknown - The Mercat Cross, Aberdeen · 1595 · Art Institute of Chicago
Same era · 1570s–1600s
The Lamentation with Saint Francis and Two Angels
Peter Paul Rubens · 1603 · The Metropolitan Museum of Art
Same era · 1570s–1600s
Wooded landscape with a road
Jan Brueghel the Elder · 1602
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Fiori di Ricami Nuovamente Posti in Luce, page 6 (recto)
Matteo Florimi · 1591 · The Metropolitan Museum of Art
Same era · 1570s–1600s
Flowers and Birds
Zhou Zhimian · 1595 · Los Angeles County Museum of Art
Same era · 1570s–1600s
Half Armor for the Foot Tournament
Pompeo della Cesa · 1585 · Cleveland Museum of Art
Same era · 1570s–1600s
The Virgin and Child with Saint Anne
Georges de La Tour · 1600 · The Metropolitan Museum of Art
Same era · 1570s–1600s
La Pratique de l'Aiguille, page 16 (recto)
Matthias Mignerak · 1605 · The Metropolitan Museum of Art
