The laurel-crowned girl
Find the rosy-cheeked figure in the center, her face tilted up with a half smile. She is the calm anchor in a crowd of leering faces.

“Stop to see this vibrant painting of Shrovetide merrymakers, a lively glimpse into a moment of pure joy and celebration from the Dutch Golden Age. Frans Hals captures spontaneous human emotion with remarkable energy.”
This boisterous scene captures the spirit of Shrovetide, a period of feasting and revelry before the solemnity of Lent. Two figures, a man and a woman, lean in close, their faces flushed with mirth and drink. The man, with his broad smile and tousled hair, seems to be mid-song, perhaps accompanied by the bagpipe player in the background. His companion, a woman in a ruffled collar, returns his gaze with an equally joyful expression, a piece of bread held loosely in her hand. The painting’s energy comes from these immediate, uninhibited expressions, a hallmark of the Dutch Golden Age. It’s a snapshot of fleeting happiness, rendered with a lively brushwork that emphasizes movement and spontaneity, making the viewer feel like an eavesdropper on a private, joyous moment.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
Find the rosy-cheeked figure in the center, her face tilted up with a half smile. She is the calm anchor in a crowd of leering faces.
A bearded man in a big black hat leans in just behind her, red-faced and sly. His sideways grin adds to the loud, boozy mood of the scene.
Look at the huge white lace collar spread around her shoulders. Quick, flicking touches of white paint suggest the open lace without every thread being painted.
On the left, a string of sausages, an egg-like white bulb and a dead bird hang from the man's clothing. These are rich foods tied to Shrovetide, the feast before Lent.
At the lower left, a bagpipe lies slumped on the table with its pipes pointing out. It hints at music and revelry, though the instrument itself is quiet.
The full narration walks you through Merrymakers at Shrovetide — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Master of spontaneous brushwork who captured Dutch burghers with unrivaled liveliness and psychological insight.
Boy with a Lute
1620 · The Metropolitan Museum of Art
Anna van der Aar (born 1576/77, died after 1626)
1626 · The Metropolitan Museum of Art
Petrus Scriverius (1576–1660)
1626 · The Metropolitan Museum of Art
Portrait of a Lady
1627 · Art Institute of Chicago
Portrait of a Man, Possibly Nicolaes Pietersz Duyst van Voorhout (born about 1600, died 1650)
1636 · The Metropolitan Museum of Art
Malle Babbe
1640 · Gemäldegalerie Berlin
Paulus Verschuur (1606–1667)
1643 · The Metropolitan Museum of Art
Frans Hals (1582/83–1666)
1650 · The Metropolitan Museum of Art
Beyond Hals and Baroque: works from the same years, and from the other movements Merrymakers at Shrovetide belongs to.
Same movement · Dutch Golden Age painting
The Little Street
Johannes Vermeer · 1658 · Rijksmuseum
Same era · 1590s–1620s
The Adoration of the Shepherds
El Greco · 1610
Same movement · Dutch Golden Age painting
Musical Company
Rembrandt · 1626 · Museum De Lakenhal
Same era · 1590s–1620s
Venus and Adonis
Peter Paul Rubens · 1610 · Museum Kunstpalast
Same era · 1590s–1620s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1590s–1620s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1590s–1620s
Southern Barbarians
Artist Unknown - The Mercat Cross, Aberdeen · 1625 · Art Institute of Chicago
Same era · 1590s–1620s
The Calling of Saint Matthew
Hendrick ter Brugghen · 1609 · Museum of Fine Arts, Budapest
Same era · 1590s–1620s
Peasant couple eating peas
Georges de La Tour · 1623 · Gemäldegalerie Berlin
Same era · 1590s–1620s
A Man Smoking and Another Man Eating by Candlelight
Willem van der Vliet · 1624 · Detroit Institute of Arts
Same era · 1590s–1620s
The Supper at Emmaus
Diego Velázquez · 1618 · Metropolitan Museum of Art
Same era · 1590s–1620s
Turbaned Soldier on Horseback
Rembrandt · 1624 · The Metropolitan Museum of Art
Same era · 1590s–1620s
An Allegory of Fruitfulness
Jacob Jordaens · 1620 · Wallace Collection
Same era · 1590s–1620s
La Pratique de l'Aiguille, page 43 (recto)
Matthias Mignerak · 1605 · The Metropolitan Museum of Art