“Stop and admire this unique armchair, made from steer horns and lavish silk. It's a fascinating example of how Victorian design embraced both the wild spirit of the American West and the refined tastes of the Aesthetic movement.”
This armchair, crafted from steer horns, silk, brass, and upholstery, immediately catches the eye with its unusual construction. While furniture made from animal horns has a history rooted in 16th-century European hunting lodges, this particular example reflects a surge in popularity in America during the 1880s. It was a time when objects like this evoked the romanticism of the American West and its pioneering spirit, even as they incorporated innovative and exotic materials prized by the Aesthetic movement. The chair's lavish upholstery and relatively small size suggest it was likely intended for a parlor, offering a touch of the wild within a domestic setting. Its design playfully blends the ruggedness of the horns with refined Victorian taste.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1870
- Medium
- Horn, silk, brass, and upholstery
- Location
- Art Institute of Chicago
- Dimensions
- H.: 92.7 cm (36 1/2 in.)
- Collection
- Arts of the Americas
- Culture
- Texas
- Credit line
- Gift of Jamee J. and Marshall Field
What to Notice
Four details hide in plain sight. Here’s where to look.

The way the steer horns form the arms and legs of the chair.
The luxurious silk upholstery, contrasting with the natural horns.
The brass accents where the horns meet the fabric.
The overall diminutive size, suggesting a parlor setting.
Stand in front of it and listen
The full narration walks you through Steer Horn Armchair — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Flower Arrangements
1595 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1850s–1880s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1850s–1880s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1850s–1880s
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1850s–1880s
In the Adirondacks
William Hart · 1870 · Q847508
Same era · 1850s–1880s
Moroccan Horseshoer
Mariano Fortuny Marsal · 1870 · Museu Nacional d'Art de Catalunya
Same era · 1850s–1880s
Snow at Louveciennes
Camille Pissarro · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Little Shepherdess
Jean-François Millet · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1850s–1880s
Apples
Gustave Courbet · 1871 · National Museum of Western Art
