“Step into a serene winter landscape, where a lone traveler braves a heavy snowfall. This print uses masterful color gradation to evoke the quiet beauty of a Japanese winter.”
A stark, almost monochromatic winter scene unfolds in this woodblock print, where heavy snowfall blankets the landscape of Shimasaku, Iki Province. The print captures a moment of profound quiet, with a lone figure making their way across a bridge. The artist uses subtle gradations of grey and blue, a technique known as bokashi, to create a deep, atmospheric perspective, making the snow-laden hills recede into the distance. This print is part of a series showcasing famous places across Japan, and here, the dramatic weather transforms a familiar view into something otherworldly. The composition emphasizes the vastness of nature and the smallness of human presence within it, a common theme in Japanese landscape art of the period. The texture of the snow, suggested by the lack of color and the soft outlines, invites a moment of contemplation.
- Artist
- Utagawa Hiroshige
- Date
- 1843
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 14 3/8 x 9 1/4 in. (36.5 x 23.5 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The lone figure crossing the bridge, almost lost in the snow.
The subtle blue-grey tones that define the snow and sky.
The distinctive triangular shapes of the snow-covered hills.
The absence of vibrant color, emphasizing the winter mood.
Stand in front of it and listen
The full narration walks you through 六十余州名所図会 壱岐 志作|Snowfall at Shimasaku, Iki Province, from the series Views of Famous Places in the Sixty-Odd Provinces — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
Dmitriy Petrovich Voeykov
Vasily Andreevich Tropinin · 1842 · Tretyakov Gallery
