六十余州名所図会 壱岐 志作|Snowfall at Shimasaku, Iki Province, from the series Views of Famous Places in the Sixty-Odd Provinces

Utagawa Hiroshige, 1843

MEDIUMWoodblock print; ink and color on paper
DIMENSIONS14 3/8 x 9 1/4 in. (36.5 x 23.5 cm)
LOCATIONThe Metropolitan Museum of Art

Experience the tranquil beauty of a winter day in Iki Province through Hiroshige's masterful woodblock print, capturing the serene stillness and delicate detail of a snowy landscape.

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ABOUT THIS WORK

Step into a serene winter landscape with Hiroshige's "Snowfall at Shimasaku, Iki Province." This woodblock print, created around 1843, is part of his ambitious series, "Views of Famous Places in the Sixty-Odd Provinces." Hiroshige, a master of ukiyo-e, is renowned for his landscape series, a departure from the genre's typical focus on actors and beauties. Here, he captures the quiet beauty of a snow-covered scene, a recurring motif in his work, as seen in other prints like "Kanbara: Evening Snow" and "Kiso Gorge in the Snow." Notice the subtle use of color and the extensive application of *bokashi*, or color gradation, a labor-intensive technique that adds depth and atmosphere to the falling snow and distant mountains. This piece showcases Hiroshige's poetic and ambient approach to landscape, influenced by but distinct from Hokusai's bolder compositions. His ability to evoke a sense of place and mood through delicate detail and masterful printing is what made him the last great master of the ukiyo-e tradition, and his work profoundly influenced Western artists like Van Gogh and Monet.

ART MOVEMENTS
Ukiyo-e
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What to Notice

1

Delicate, falling snow against dark sky

2

Subtle color gradations (*bokashi*)

3

Figures braving the winter elements

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Audio Deep Dive

Experience the tranquil beauty of a winter day in Iki Province through Hiroshige's masterful woodblock print, capturing the serene stillness and delicate detai…

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THE ARTIST
Utagawa Hiroshige 1797–1858 · Japan

Utagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.

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