“Step into a breathtaking scene from Japan's historic Tōkaidō Road. This print invites you to experience the vastness of the sea and the journey of travelers, rendered with subtle colors and a dramatic perspective.”
This woodblock print captures a dramatic vista from Shio-mi Zaka, or "Tide-viewing Hill," in Shirasuka, one of the fifty-three stations along the historic Tōkaidō Road. Your eye is immediately drawn to the expansive bay, where the curve of the shoreline meets the vast, calm sea under a soft, overcast sky. The composition masterfully uses a high vantage point, placing us above the travelers who ascend and descend the steep path, their varied postures conveying the effort of their journey. A lone boat with a distinctive sail cuts across the water, its small scale emphasizing the immense natural landscape. This print is an early example from the artist's first major series on the Tōkaidō, a journey he undertook in 1832, sketching scenes that would become some of his most celebrated works.
- Artist
- Utagawa Hiroshige
- Date
- 1824
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 9 15/32 x 14 1/16 in. (24.1 x 35.7 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the subtle gradation of blue (bokashi) in the sky and water.
Notice the tiny figures on the winding path, some carrying loads.
Look for the distinct shape of the sail on the boat in the bay.
See the delicate lines outlining the distant mountains and clouds.
Stand in front of it and listen
The full narration walks you through 東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
東海道五十三次之内 関 本陣早立|Seki, Honjin Sotatsu
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1800s–1830s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1800s–1830s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1800s–1830s
The Cobbler’s Home
J. M. W. Turner · 1825 · National Gallery
Same era · 1800s–1830s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1800s–1830s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1800s–1830s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
George Grote
Thomas Stewardson · 1824 · National Portrait Gallery
