“Step into a dramatic night scene where a lone figure braves a downpour under the ancient Karasaki Pine. This woodblock print is a masterclass in capturing the raw beauty and emotional weight of nature's power.”
A lone figure huddles under an umbrella, battling the driving rain on a dark night in this evocative woodblock print. The scene focuses on the legendary Karasaki Pine, its ancient branches dramatically silhouetted against a stormy sky. This work is part of a series depicting the Eight Views of Ōmi, a classical theme in Japanese art. The print masterfully captures the fleeting, atmospheric quality of a sudden downpour, using subtle gradations of color (a technique known as bokashi) to create depth and movement in the sky and water. The artist, Utagawa Hiroshige, began producing landscapes like this one around 1829–1830, shifting from earlier works focused on kabuki actors and courtesans. This print exemplifies his ability to infuse natural scenes with a profound sense of mood and human experience.
- Artist
- Utagawa Hiroshige
- Date
- 1822
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 8 7/8 x 13 3/4 in. (22.5 x 34.9 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The vast, spreading branches of the ancient Karasaki Pine.
The faint outline of a boat on the dark, rain-swept lake.
The delicate lines of falling rain, almost blurring the distant shore.
The solitary figure, hunched under an umbrella, facing the elements.
Stand in front of it and listen
The full narration walks you through 近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
東海道五十三次之内 関 本陣早立|Seki, Honjin Sotatsu
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1800s–1830s
The Estuary Farm
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Amédée-David, the Comte de Pastoret
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Same era · 1800s–1830s
The Bay of Baiae, with Apollo and the Sibyl
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Same era · 1800s–1830s
Saturn Devouring His Son
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Same era · 1800s–1830s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1800s–1830s
Male Academy Figure: Half-Length, Side View
Eugène Delacroix · 1819 · Karen B. Cohen Collection
Same era · 1800s–1830s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1800s–1830s
The Five Points
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Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
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Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Ekim Lazarev
Vasily Andreevich Tropinin · 1822 · National Gallery of Armenia
