“Stop to appreciate this early work by Hiroshige, where a single boat on the Sumida River captures a moment of quiet serenity and hints at the artist's lifelong fascination with landscape.”
A lone boat glides across the Sumida River in this serene early work by Hiroshige. The boatman, silhouetted against the water, is the sole human presence, emphasizing the quiet solitude of the scene. The low horizon line and expansive sky create a sense of vastness, drawing the eye towards the distant, hazy shore. This print, made when the artist was around twenty, predates his famous landscape series but already shows his developing interest in capturing specific places and the subtle atmospheric effects of nature. The soft, graded colors, achieved through a technique called bokashi, lend a delicate quality to the water and sky, inviting contemplation of the tranquil moment.
- Artist
- Utagawa Hiroshige
- Date
- 1817
- Medium
- Location
- The Metropolitan Museum of Art
- Dimensions
- 6 5/8 × 9 in. (16.9 × 22.8 cm) Image: 6 5/8 × 8 7/8 in. (16.9 × 22.6 cm)
- Collection
- Robert Lehman Collection
- Culture
- Japanese
- Credit line
- Robert Lehman Collection, 1975
What to Notice
Four details hide in plain sight. Here’s where to look.

The subtle color gradation in the sky, from light to dark.
The lone figure of the boatman, a small detail in a vast scene.
The delicate ripples on the water's surface, reflecting the light.
The distant shoreline, barely visible through the atmospheric haze.
Stand in front of it and listen
The full narration walks you through Boat on the Sumida — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
東海道五十三次之内 関 本陣早立|Seki, Honjin Sotatsu
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1800s–1830s
General Étienne-Maurice Gérard (1773–1852)
Jacques-Louis David · 1816 · The Metropolitan Museum of Art
Same era · 1800s–1830s
Wanderer above the Sea of Fog
Caspar David Friedrich · 1818 · Hamburger Kunsthalle
Same era · 1800s–1830s
England: Richmond Hill, on the Prince Regent's Birthday
J. M. W. Turner · 1819 · National Gallery
Same era · 1800s–1830s
Male Academy Figure: Half-Length, Side View
Eugène Delacroix · 1819 · Karen B. Cohen Collection
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1800s–1830s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
Sketchbook: Souvenir of Naples
Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
