Utagawa Hiroshige, 1823
Discover a rare early work by master Hiroshige: a charming woodblock print from 1823 featuring a Western pocket watch, showcasing his pre-landscape versatility and Japan's fascination with foreign novelties.
This intriguing woodblock print by Utagawa Hiroshige, titled 'Western Pocket Watch from the Spring Rain Collection (Harusame shū), vol. 3,' offers a fascinating glimpse into early 19th-century Japan. Created in 1823, it predates Hiroshige's most famous landscape series, such as 'The Fifty-three Stations of the Tōkaidō,' for which he is renowned. At this time, Hiroshige was still primarily producing book illustrations and single-sheet ukiyo-e prints of beauties and kabuki actors in the Utagawa style, having only begun to explore the landscapes and bird-and-flower subjects that would define his later career around 1829-1830. The inclusion of a 'Western Pocket Watch' in this 'surimono' album print suggests a keen interest in imported novelties and the subtle influence of Western culture during the Edo period, a theme less common in his broader oeuvre of natural landscapes and urban scenes. Surimono prints, often commissioned for private circulation, allowed for greater artistic experimentation and the incorporation of poetic texts, making this piece a unique example of Hiroshige's early work and the cultural curiosities of his time.
The detailed rendering of the pocket watch's mechanism
The delicate lines and color of the woodblock print
The elegant calligraphy accompanying the image
Discover a rare early work by master Hiroshige: a charming woodblock print from 1823 featuring a Western pocket watch, showcasing his pre-landscape versatility…
Utagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Read Utagawa's full story in Art Whisper