“Stop and look at this print to see a rare glimpse of a Western pocket watch in early 19th-century Japan, beautifully juxtaposed with traditional Japanese poetry and artistry.”
This woodblock print, dating to 1823, captures a fascinating cross-cultural moment through its depiction of a Western-style pocket watch. The watch itself is a marvel of precision, rendered with intricate details that suggest its delicate mechanics. Its presence here speaks to Japan's growing engagement with the outside world during the Edo period, even while foreign influence was strictly controlled. The watch is surrounded by a flowing, calligraphic poem, its elegant script balancing the mechanical object with traditional Japanese aesthetics. This blend of the modern and the classical, the foreign and the familiar, makes the print a unique document of its time, reflecting a subtle curiosity about Western advancements within a deeply rooted cultural framework.
- Artist
- Utagawa Hiroshige
- Date
- 1823
- Medium
- Part of an album of woodblock prints (surimono); ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 7 11/16 x 6 1/4 in. (19.5 x 15.9 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The intricate gears and hands visible through the watch's crystal.
The delicate floral motif engraved on the watch's casing.
The flowing Japanese script, a poem, that frames the timepiece.
The subtle color gradations (bokashi) in the background.
Stand in front of it and listen
The full narration walks you through 西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3 — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
東海道五十三次之内 関 本陣早立|Seki, Honjin Sotatsu
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1800s–1830s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1800s–1830s
The Bay of Baiae, with Apollo and the Sibyl
J. M. W. Turner · 1823 · National Gallery
Same era · 1800s–1830s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1800s–1830s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1800s–1830s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1800s–1830s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Portrait of K.G.Ravich
Vasily Andreevich Tropinin · 1823 · Tretyakov Gallery
