“This silhouette of John Quincy Adams, made from cut paper and gray wash, offers an intimate and remarkably detailed portrait of the former president, capturing his distinct profile with striking clarity.”
In this striking silhouette, the former president John Quincy Adams is captured in profile, his distinctive features rendered with a precision that belies the simple medium of cut paper. The artist used a gray wash to add subtle depth and modeling to the black paper, particularly visible in the contours of Adams's face and the folds of his coat. This technique elevates the work beyond a mere outline, giving a sense of three-dimensionality and character to the statesman. Created in 1828, the year Adams concluded his single term as president, the portrait offers a direct, unembellished likeness, reflecting the era's fascination with capturing individual appearances through accessible and often intimate means. The stark contrast and crisp lines emphasize the sitter's intellectual gravitas, a fitting portrayal for a figure known for his rigorous mind and public service.
- Artist
- William Henry Brown
- Date
- 1828
- Medium
- Cut paper with gray wash
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 12 1/2 × 7 7/16 in. (31.7 × 18.9 cm)
- Collection
- Drawings and Prints
- Credit line
- Bequest of Mary Martin, 1938
What to Notice
Four details hide in plain sight. Here’s where to look.

The sharp, clean edge of the cut paper defining Adams's profile.
Subtle gray wash adding depth to his hair and the collar of his coat.
The slight curve of his nose and the set of his jaw, conveying his demeanor.
The precise rendering of his cravat and the lapel of his jacket.
William Henry Brown
1815–1875William Henry Brown, known for his silhouette portraits and early photographic experiments, captured the likenesses of figures like John Quincy Adams.
Further Works by Brown
Silhouette of a Young Man Before an Open Window, Facing Right
1830 · The Metropolitan Museum of Art
Adaline Peters Brown
1843 · The Metropolitan Museum of Art
Portrait of a Woman before a Window
1845 · The Metropolitan Museum of Art
Ada Brown
1847 · The Metropolitan Museum of Art
Benjamin Daniel Greene
1848 · The Metropolitan Museum of Art
Choosing of the Arrow
1849 · The Metropolitan Museum of Art
Filatrice
1850 · The Metropolitan Museum of Art
Indian Figure in Profile
1851 · The Metropolitan Museum of Art
More works to explore
Beyond Brown: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
The Loretto Necklace
J. M. W. Turner · 1829 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
