“This early self-portrait by Okada Saburosuke is a rare glimpse into the artist's formative years and an important example of Japan's emerging Western-style oil painting tradition, known as Yōga.”
In this self-portrait, Okada Saburosuke presents himself with a direct, unsmiling gaze, his head tilted slightly. The artist’s face, illuminated from the left, is rendered with a soft realism that captures the subtle contours of his features, from the slight furrow in his brow to the gentle curve of his lips. He wears a dark jacket over a lighter shirt, the brushstrokes in his clothing appearing somewhat looser than those used for his face, suggesting a focus on his psychological presence. The background is a muted, warm tone, allowing the figure to command attention. Painted in 1878, when the artist would have been nine years old, this work is an intriguing early example of self-portraiture, reflecting the nascent stages of Western-style oil painting (Yōga) in Japan.
- Artist
- Okada Saburosuke
- Date
- 1878
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 70.2 × 53.4 cm (27 5/8 × 21 in.)
- Collection
- Arts of the Americas
- Culture
- United States
- Credit line
- Gift of Joseph M. Rogers
What to Notice
Five details hide in plain sight. Here’s where to look.

The artist’s direct, unsmiling gaze
The subtle tilt of his head to the left
The soft illumination on the left side of his face
The looser brushwork in his jacket compared to his face
1 more detail is waiting.
See all 5 in Art Whisper →Okada Saburosuke
1869–1939 · JapanOkada Saburosuke was a leading Japanese Yōga painter, celebrated for his warm and elegant portraits of women, who shaped Western-style art education in Japan.
Further Works by Saburosuke
American Gothic
1930 · Art Institute of Chicago
Nighthawks
1942 · Art Institute of Chicago
A Sunday on La Grande Jatte — 1884
1884 · Art Institute of Chicago
Returning Life
Art Institute of Chicago
Peonies
Art Institute of Chicago
Lion (One of a Pair, South Pedestal)
1893 · Art Institute of Chicago
falling down to the huge grey hollow in Hinode (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)
Art Institute of Chicago
Rising Sun, Red Clouds
Art Institute of Chicago
More from Nihonga
More works to explore
Beyond Saburosuke and Nihonga: works from the same years.
Same era · 1860s–1890s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1860s–1890s
Chariot Race
Léon-Victor Dupré · 1876 · Art Institute of Chicago
Same era · 1860s–1890s
Fan Mount: The Cabbage Gatherers
Camille Pissarro · 1878 · Metropolitan Museum of Art
Same era · 1860s–1890s
Mademoiselle Isabelle Lemonnier (1857–1926)
Édouard Manet · 1878 · Metropolitan Museum of Art
Same era · 1860s–1890s
Arrival of the Normandy Train, Gare Saint-Lazare
Claude Monet · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Beata Beatrix
Dante Gabriel Rossetti · 1877 · Birmingham Museums Trust
Same era · 1860s–1890s
On a Balcony
Mary Cassatt · 1879 · Art Institute of Chicago
Same era · 1860s–1890s
The Laundress
Pierre-Auguste Renoir · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
The Millinery Shop
Edgar Degas · 1879 · Art Institute of Chicago
Same era · 1860s–1890s
Woman at Her Toilette
Berthe Morisot · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Still Life: Wood Tankard and Metal Pitcher
Paul Gauguin · 1880 · Art Institute of Chicago
Same era · 1860s–1890s
View of Marly-le-Roi from Coeur-Volant
Alfred Sisley · 1876 · The Metropolitan Museum of Art

