Okada Saburosuke, 1893
These iconic bronze lions have guarded the Art Institute of Chicago's entrance since 1894. Notice the defiant posture and immense detail of this two-ton guardian.
This monumental bronze lion, one of a pair, has guarded the Art Institute of Chicago's Michigan Avenue entrance since 1894. Positioned on the south pedestal, it is described by its sculptor, Edward Kemeys, as being "in an attitude of defiance." You can see this in its tense, alert posture, head held high, and the powerful musculature rippling beneath its green patina. While Kemeys was primarily known for his detailed portrayals of North American wildlife, these larger-than-life African lions demonstrate his skill in capturing the raw power and naturalistic detail of big cats. Weighing over two tons each, these guardians were cast in Chicago, becoming an iconic symbol of the museum just after the 1893 World’s Columbian Exposition, which saw the new building host various events for fairgoers.
The taut muscles visible under the bronze skin, conveying strength.
The lion's head held high, suggesting its defiant attitude.
The green patina, a natural result of bronze aging, adds character.
These iconic bronze lions have guarded the Art Institute of Chicago's entrance since 1894. Notice the defiant posture and immense detail of this two-ton guardi…
Okada Saburosuke was a leading Japanese Yōga painter, celebrated for his warm and elegant portraits of women, who shaped Western-style art education in Japan.
Read Okada's full story in Art Whisper