“These iconic bronze lions have guarded the Art Institute of Chicago's entrance since 1894. Notice the defiant posture and immense detail of this two-ton guardian.”
This monumental bronze lion, one of a pair, has guarded the Art Institute of Chicago's Michigan Avenue entrance since 1894. Positioned on the south pedestal, it is described by its sculptor, Edward Kemeys, as being "in an attitude of defiance." You can see this in its tense, alert posture, head held high, and the powerful musculature rippling beneath its green patina. While Kemeys was primarily known for his detailed portrayals of North American wildlife, these larger-than-life African lions demonstrate his skill in capturing the raw power and naturalistic detail of big cats. Weighing over two tons each, these guardians were cast in Chicago, becoming an iconic symbol of the museum just after the 1893 World’s Columbian Exposition, which saw the new building host various events for fairgoers.
- Artist
- Okada Saburosuke
- Date
- 1893
- Medium
- Bronze with green patina
- Location
- Art Institute of Chicago
- Dimensions
- 261.7 × 114.2 × 287 cm (103 × 45 × 113 in.)
- Collection
- Arts of the Americas
- Culture
- Chicago
- Credit line
- Purchased with funds provided by Florence Lathrop Field
What to Notice
Five details hide in plain sight. Here’s where to look.

The taut muscles visible under the bronze skin, conveying strength.
The lion's head held high, suggesting its defiant attitude.
The green patina, a natural result of bronze aging, adds character.
The texture of the mane, rendered with intricate detail.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Lion (One of a Pair, South Pedestal) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Okada Saburosuke
1869–1939 · JapanOkada Saburosuke was a leading Japanese Yōga painter, celebrated for his warm and elegant portraits of women, who shaped Western-style art education in Japan.
Further Works by Saburosuke
American Gothic
1930 · Art Institute of Chicago
Nighthawks
1942 · Art Institute of Chicago
A Sunday on La Grande Jatte — 1884
1884 · Art Institute of Chicago
Returning Life
Art Institute of Chicago
Peonies
Art Institute of Chicago
falling down to the huge grey hollow in Hinode (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)
Art Institute of Chicago
Rising Sun, Red Clouds
Art Institute of Chicago
Examining an Arrow
1893 · Saga Prefectural Museum
More from Nihonga
More works to explore
Beyond Saburosuke and Nihonga: works from the same years.
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1870s–1900s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1870s–1900s
Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)
Paul Gauguin · 1893 · Art Institute of Chicago
Same era · 1870s–1900s
The Child's Bath
Mary Cassatt · 1893 · Art Institute of Chicago
Same era · 1870s–1900s
The Hands
Edvard Munch · 1893 · Munch Museum
Same era · 1870s–1900s
The Place du Havre, Paris
Camille Pissarro · 1893 · Art Institute of Chicago
Same era · 1870s–1900s
At the Moulin Rouge
Henri de Toulouse-Lautrec · 1892 · Art Institute of Chicago
Same era · 1870s–1900s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Poppy Field (Giverny)
Claude Monet · 1891 · Art Institute of Chicago
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago

