Seated Gentleman by Jacques-Louis David

Seated Gentleman

Jacques-Louis David · 1807

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“Stop and observe the intense gaze of this unknown gentleman. This drawing, squared for transfer, offers a rare glimpse into the detailed preparatory work behind a formal portrait by a leading Neoclassical artist.”

ABOUT THIS WORK

This intimate drawing offers a direct gaze into the face of a seated gentleman, rendered with remarkable precision in black chalk. The subject, whose identity is not known, is captured in a moment of quiet contemplation, his expression serious and composed. The artist’s careful use of line and shading gives remarkable volume to his face and the folds of his clothing. This work is squared for transfer, a technique where a grid is drawn over a finished drawing to help scale and transfer the image accurately to a larger surface, like a canvas for a painting. This suggests it was likely a preparatory study for a more elaborate portrait, perhaps an oil painting. The focus here is entirely on the sitter, with no background details to distract, emphasizing his presence and character through the stark simplicity of chalk on paper. The drawing captures a sense of the Neoclassical ideal of gravity and individual dignity.

DETAILS
Artist
Jacques-Louis David
Date
1807
Medium
Black chalk on paper squared for transfer
Location
The Metropolitan Museum of Art
Dimensions
9 1/16 x 6 15/16 in. (23 x 17.7 cm)
Collection
Robert Lehman Collection
Credit line
Robert Lehman Collection, 1975
ART MOVEMENTS
LOOK CLOSER

What to Notice

Four details hide in plain sight. Here’s where to look.

Seated Gentleman
01

Observe the subtle rendering of the man's hair and sideburns.

02

Notice the faint grid lines, indicating it was squared for transfer.

03

See the delicate shading that defines the contours of his face.

04

Look at the precise folds and textures in his coat and cravat.

AUDIO DEEP DIVE

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THE ARTIST

Jacques-Louis David

1748–1825 · France

David survived revolution, prison, and exile to paint Napoleon's glory — and still died the most influential artist in France.

Read David’s full story
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Beyond David and Academic art: works from the same years, and from the other movements Seated Gentleman belongs to.

Amédée-David, the Comte de Pastoret Same movement · Neoclassicism Amédée-David, the Comte de Pastoret Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago Cliveden on Thames Same era · 1790s–1820s Cliveden on Thames J. M. W. Turner · 1807 · National Gallery The Monk by the Sea Same era · 1790s–1820s The Monk by the Sea Caspar David Friedrich · 1800 · Alte Nationalgalerie The Third of May 1808 Same era · 1790s–1820s The Third of May 1808 Francisco Goya · 1814 · Museo del Prado Male Academy Figure: Half-Length, Side View Same era · 1790s–1820s Male Academy Figure: Half-Length, Side View Eugène Delacroix · 1819 · Karen B. Cohen Collection Samuel Fisher Bradford Same era · 1790s–1820s Samuel Fisher Bradford Rembrandt Peale · 1803 · Art Institute of Chicago Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania Same era · 1790s–1820s Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania Samuel Jones · 1819 · Art Institute of Chicago Sketchbook: Souvenir of Naples Same era · 1790s–1820s Sketchbook: Souvenir of Naples Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
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