“This watercolor offers a glimpse into Cézanne's groundbreaking approach to landscape. See how he builds form and atmosphere with delicate washes and visible lines, anticipating later modernist movements.”
A winding path leads the eye deep into the landscape in Cézanne's "Road in Provence." The artist used delicate washes of watercolor and graphite lines to build up the forms of trees and distant hills, capturing the bright, clear light of southern France. Notice how the road itself isn't a solid, defined strip; instead, it's suggested by patches of color and the way the graphite lines pull your gaze through the scene. This approach, where forms are constructed through planes of color and visible brushwork rather than traditional modeling, would become a hallmark of his later work and profoundly influence the course of modern art. The sense of atmosphere and the subtle interplay of light and shadow are achieved with remarkable economy, allowing the tan paper to play a crucial role in the overall effect.
- Artist
- Paul Cézanne
- Date
- 1880
- Medium
- Watercolor and graphite on tan wove paper
- Location
- Art Institute of Chicago
- Dimensions
- 50.2 × 50.4 cm (19 13/16 × 19 7/8 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Mr. and Mrs. Martin A. Ryerson Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The faint graphite lines that define the trees and hills.
The translucent washes of green and blue watercolor.
The way the tan paper shows through, acting as a color itself.
The path's gentle curve, drawing your eye into the distance.
1 more detail is waiting.
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Paul Cézanne
1839–1906 · FrancePaul Cézanne, the French Post-Impressionist, built a bridge from Impressionism to Cubism, transforming how we see apples and landscapes.
Further Works by Cézanne
Gustave Boyer (b. 1840) in a Straw Hat
1870 · The Metropolitan Museum of Art
The Fishermen (Fantastic Scene)
1875 · Metropolitan Museum of Art
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
1888 · The Metropolitan Museum of Art
Rocks at Fontainebleau
1890 · The Metropolitan Museum of Art
Mont Sainte-Victoire
1904 · Detroit Institute of Arts
Auvers, Panoramic View
1874 · Art Institute of Chicago
The Plate of Apples
1877 · Art Institute of Chicago
Montagne Sainte-Victoire (The Arc Valley)
1880 · Art Institute of Chicago
More from Post-Impressionism
More works to explore
Beyond Cézanne and Post-Impressionism: works from the same years.
Same era · 1860s–1890s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1860s–1890s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1860s–1890s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Apples and Grapes
Claude Monet · 1880 · Art Institute of Chicago
Same era · 1860s–1890s
Still Life: Wood Tankard and Metal Pitcher
Paul Gauguin · 1880 · Art Institute of Chicago
Same era · 1860s–1890s
Fruits of the Midi
Pierre-Auguste Renoir · 1881 · Art Institute of Chicago
Same era · 1860s–1890s
On a Balcony
Mary Cassatt · 1879 · Art Institute of Chicago
Same era · 1860s–1890s
Potted Plant
Edvard Munch · 1881 · Munch Museum
Same era · 1860s–1890s
Rabbit Warren at Pontoise, Snow
Camille Pissarro · 1879 · Art Institute of Chicago
Same era · 1860s–1890s
The Millinery Shop
Edgar Degas · 1879 · Art Institute of Chicago
Same era · 1860s–1890s
Mademoiselle Isabelle Lemonnier (1857–1926)
Édouard Manet · 1878 · Metropolitan Museum of Art




