Road in Provence

Paul Cézanne, 1880

MEDIUMWatercolor and graphite on tan wove paper
DIMENSIONS50.2 × 50.4 cm (19 13/16 × 19 7/8 in.)
LOCATIONArt Institute of Chicago
COLLECTIONPrints and Drawings
CULTUREFrance
CREDIT LINEMr. and Mrs. Martin A. Ryerson Collection

Cézanne's "Road in Provence" showcases his Post-Impressionist exploration of landscape, using watercolor to reveal the underlying structure and form of nature, a key step in his bridge to Cubism.

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ABOUT THIS WORK

Paul Cézanne, a pivotal figure in Post-Impressionism, often returned to the landscapes of his native Provence, and this 1880 watercolor and graphite work, "Road in Provence," offers a glimpse into his evolving approach to nature. Cézanne's groundbreaking work bridged the gap between late 19th-century Impressionism and early 20th-century Cubism, and here we see him exploring new modes of representation even in a seemingly simple scene. Unlike the fleeting impressions of his Impressionist predecessors, Cézanne sought to reveal the underlying structure and permanence of the world. This piece, while a watercolor, shares the foundational explorations seen in his more famous oil paintings like "The Bay of Marseille, Seen from L'Estaque" or "Auvers, Panoramic View," where he meticulously built up forms through color and line. He was less interested in capturing a momentary effect of light and more in conveying the essential solidity and geometry of the landscape, a characteristic that would profoundly influence the avant-garde movements that followed him.

ART MOVEMENTS
Post-Impressionism
LOOK CLOSER

What to Notice

1

The way the road seems to ascend and curve into the distance.

2

Subtle graphite lines beneath the watercolor washes.

3

Patches of unpainted paper peeking through.

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Audio Deep Dive

Cézanne's "Road in Provence" showcases his Post-Impressionist exploration of landscape, using watercolor to reveal the underlying structure and form of nature,…

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THE ARTIST
Paul Cézanne 1839–1906 · France

Paul Cézanne, the French Post-Impressionist, built a bridge from Impressionism to Cubism, transforming how we see apples and landscapes.

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