“This tiny, exquisite portrait, engraved into a citrine gem, reveals the famed Neoclassical artist Jacques-Louis David's skill in miniature, capturing a private moment of patronage during his exile.”
This miniature portrait of Luigi Sommariva, carved into a citrine gem, offers a glimpse into a private world of admiration and exile. The subject, a wealthy Italian patron, commissioned this piece from the leading Neoclassical painter of the era, Jacques-Louis David, while David was living in Brussels after the fall of Napoleon. It is a testament to the artist's enduring skill, even in a medium so different from his monumental canvases. The precision of the engraving captures Sommariva's likeness with remarkable detail, from the subtle curl of his hair to the direct gaze. This tiny, intimate object, designed to be worn or held, contrasts sharply with David's grand public works, revealing a more personal and refined aspect of his art. It also speaks to the enduring appeal of Neoclassical ideals, even as Europe navigated a new political landscape.
- Artist
- Jacques-Louis David
- Date
- 1820
- Medium
- Engraved citrine in a gold suspension loop
- Location
- The Metropolitan Museum of Art
- Dimensions
- Overall (confirmed): 2 1/4 × 1 3/4 × 5/8 in. (5.7 × 4.5 × 1.5 cm)
- Collection
- European Sculpture and Decorative Arts
- Culture
- Italian
- Credit line
- Purchase, The Isaacson-Draper Foundation Gift, 2016
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the intricate details of Sommariva's hair and facial features.
Note the smooth, polished surface of the citrine gem itself.
See the delicate gold suspension loop, likely contemporary with the intaglio.
Consider the scale, how small and personal this engraved portrait is.
Stand in front of it and listen
The full narration walks you through Portrait of Luigi Sommariva — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Jacques-Louis David
1748–1825 · FranceDavid survived revolution, prison, and exile to paint Napoleon's glory — and still died the most influential artist in France.
Further Works by David
Andromache Mourning Hector
1783 · Pushkin Museum of Fine Arts
Napoleon Crossing the Alps
1800 · Musée national de Malmaison et Bois-Préau
Head of a Child
1768 · The Metropolitan Museum of Art
The Lictors Bringing Brutus the Bodies of his Sons
1787 · The Metropolitan Museum of Art
Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836)
1788 · The Metropolitan Museum of Art
General Étienne-Maurice Gérard (1773–1852)
1816 · The Metropolitan Museum of Art
Madame François Buron
1769 · Art Institute of Chicago
Patroclus
1780 · Musée Thomas-Henry
More from Academic art
More works to explore
Beyond David and Academic art: works from the same years, and from the other movements Portrait of Luigi Sommariva belongs to.
Same movement · Neoclassicism
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1800s–1830s
Rome, from the Vatican. Raffaelle, Accompanied by La Fornarina, Preparing his Pictures for the Decoration of the Loggia
J. M. W. Turner · 1820 · National Gallery
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1800s–1830s
Male Academy Figure: Half-Length, Side View
Eugène Delacroix · 1819 · Karen B. Cohen Collection
Same era · 1800s–1830s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
Sketchbook: Souvenir of Naples
Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Miss Planner
John Smart of Ipswich · 1820 · Dulwich Picture Gallery
Same era · 1800s–1830s
Portrait of an Ukrainian peasant.
Vasily Andreevich Tropinin · 1820 · National Museum in Warsaw
Same era · 1800s–1830s
Southampton from Bitterne, Peartree Green
Tobias Young · 1820 · Southampton City Museums




