“This isn't just a weather vane; it's a hand-forged iron sculpture from 1800, celebrated for its artistic form and collected in the 20th century as a precursor to modern art.”
Look up and imagine this striking peacock silhouetted against a cloudy sky, spinning in the wind. This weather vane, hand-forged from iron around 1800, once crowned a building in West Chester, Pennsylvania. Early American weather vanes like this one were not initially seen as fine art, but by the mid-20th century, they were avidly collected for their sculptural qualities and celebrated as precursors to modern art. This particular piece was acquired by the Art Institute from Edith Halpert, a gallerist who made her mark in the New York art world by championing both modern American art and vernacular arts from earlier centuries. Halpert reportedly "stripped the New England skyline of more than 100 vanes" for her clients, who appreciated these functional objects for their artistic merit.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1800
- Medium
- Iron
- Location
- Art Institute of Chicago
- Dimensions
- 131.8 × 71.1 × 2.5 cm (51 7/8 × 28 × 1 in.)
- Collection
- Arts of the Americas
- Culture
- Pennsylvania
- Credit line
- Elizabeth R. Vaughan Fund
What to Notice
Four details hide in plain sight. Here’s where to look.

The elegant curve of the peacock's neck and head
The fanned tail feathers, a classic peacock display
The simple, yet effective, silhouette created by the iron
The sturdy base, designed to pivot with the wind
Stand in front of it and listen
The full narration walks you through Peacock Weather Vane — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Flower Arrangements
1595 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1780s–1810s
Dolbadarn Castle
J. M. W. Turner · 1800 · National Library of Wales
Same era · 1780s–1810s
Napoleon Crossing the Alps
Jacques-Louis David · 1800 · Musée national de Malmaison et Bois-Préau
Same era · 1780s–1810s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
Same era · 1780s–1810s
Joseph-Antoine Moltedo (born 1775)
Jean-Auguste-Dominique Ingres · 1805 · The Metropolitan Museum of Art
Same era · 1780s–1810s
The Third of May 1808
Francisco Goya · 1814 · Museo del Prado
Same era · 1780s–1810s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1780s–1810s
Mrs Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1780s–1810s
John Blake (1770–1810), Mayor of Maidstone (1799)
Samuel Drummond · 1799 · Maidstone Museum and Bentlif Art Gallery
Same era · 1780s–1810s
Winchester from the South
Tobias Young · 1803 · Winchester Guildhall
Same era · 1780s–1810s
Cilgerran Castle
William Havell · 1805 · National Museum Cardiff
Same era · 1780s–1810s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1780s–1810s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
