“Stop to appreciate the serene beauty of plum blossoms at dawn, a masterwork of naturalistic painting that captures a fleeting moment of quiet splendor.”
A slender plum branch, heavy with blossoms, stretches across the silk in this hanging scroll, its delicate flowers illuminated by the soft glow of a hidden moon. The scene captures the transition from night to dawn, a moment of quiet beauty as the world awakens. The artist, Kawabata Gyokushō, painted this in 1867, at the age of 25. He was associated with the Maruyama school, known for its naturalistic style and emphasis on direct observation. Here, the subtle gradations of ink and color create a sense of depth and atmosphere, making the viewer feel present in the tranquil garden. The plum blossom itself is a significant motif in Japanese art, symbolizing resilience and renewal, as it is one of the first flowers to bloom at the end of winter.
- Artist
- Kawabata Gyokushō
- Date
- 1867
- Medium
- Hanging scroll; ink and color on silk
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 46 3/8 × 22 5/16 in. (117.8 × 56.6 cm) Overall with mounting: 86 1/2 × 28 3/16 in. (219.7 × 71.6 cm) Overall with knobs: 86 1/2 × 30 9/16 in. (219.7 × 77.6 cm)
- Collection
- Asian Art
- Culture
- Japan
- Credit line
- Mary and Cheney Cowles Collection, Gift of Mary and Cheney Cowles, 2025
What to Notice
Four details hide in plain sight. Here’s where to look.

The way the moonlight seems to emanate from behind the branches.
The delicate pinks and whites of the plum blossoms, some still in bud.
The subtle texture of the silk medium, visible through the paint.
The gentle curve of the branch, suggesting movement in a light breeze.
Stand in front of it and listen
The full narration walks you through Plum Blossoms under the Moon at Dawn — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Kawabata Gyokushō
1842–1913 · Empire of JapanKawabata Gyokushō was a prominent Japanese painter known for his delicate ink and color works on silk.
Further Works by Gyokushō
Paris Street; Rainy Day
1877 · Art Institute of Chicago
Gathering of the Jewels (Tama hiroi)
1861 · The Metropolitan Museum of Art
Blossoms by a River
1887 · The Metropolitan Museum of Art
Landscape
1887 · The Metropolitan Museum of Art
Traveling by Moonlight
1887 · The Metropolitan Museum of Art
狗児図|A Pair of Puppies
1887 · The Metropolitan Museum of Art
Cat Seen from Behind
1868 · Metropolitan Museum of Art
River Scene with Rocky Hills in Background
1868 · Metropolitan Museum of Art
More from Nihonga
More works to explore
Beyond Gyokushō and Nihonga: works from the same years.
Same era · 1850s–1880s
Barks Fleeing Before the Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Approaching Storm
William Hart · 1867 · Gilcrease Museum
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1850s–1880s
In the Auvergne
Jean-François Millet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
Patio of the Palace of the Duke of Alba, Seville: Raimundo de Madrazo y Garreta painting
Mariano Fortuny Marsal · 1868 · Hispanic Society of America
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Races at Longchamp
Édouard Manet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Valley of Les Puits-Noir
Gustave Courbet · 1868 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Mountain View at Bormio (from Switzerland 1869 Sketchbook)
John Singer Sargent · 1869 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection

