“Stop and observe the dramatic clash of cultures in this painting. It depicts the Roman poet Ovid, exiled among the nomadic Scythians, highlighting themes of displacement and the exotic through vibrant color and dynamic composition.”
In this painting, the Roman poet Ovid, exiled by Emperor Augustus, finds himself among the Scythians, a nomadic people of ancient Eastern Europe. He stands at the center, a figure of classical learning amidst a rugged, unfamiliar landscape and its inhabitants. Delacroix captures the tension between Ovid's refined world and the Scythians' untamed existence, evident in the poet's pensive stance and the wary curiosity of the figures around him. The scene is imbued with a sense of Romantic drama, characteristic of the era, emphasizing Ovid's isolation and the exoticism of his new surroundings. The rich, earthy tones and dynamic brushwork bring to life this moment of cultural encounter, making tangible the poet's displacement and the Scythians' distinct way of life. It's a late work for the artist, painted just a few years before his death, reflecting a continued fascination with historical and literary narratives.
- Artist
- Eugène Delacroix
- Date
- 1859
- Location
- National Gallery
What to Notice
Five details hide in plain sight. Here’s where to look.

Ovid's toga, a stark contrast to the Scythians' animal skins.
The horses, central to Scythian life, tethered and grazing.
The varied expressions on the Scythians' faces, from curiosity to suspicion.
The distant, desolate landscape, emphasizing Ovid's isolation.
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Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Studies of a Horse in Profile
1823 · The Metropolitan Museum of Art
Sheet of Sketches
1826 · Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements Ovid among the Scythians belongs to.
Same movement · Academic art
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Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1840s–1870s
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Philip Webb · 1861 · The Metropolitan Museum of Art
Same movement · Academic art
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Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1840s–1870s
Monsieur Suisse
Gustave Courbet · 1861 · The Metropolitan Museum of Art
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1840s–1870s
Pools by the Seaside
William Hart · 1861 · Buffalo AKG Art Museum
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same era · 1840s–1870s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1840s–1870s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago




