“Stop to admire this 1866 woodblock print, a vibrant memorial to a celebrated kabuki actor and a poet. It captures a moment of cultural reverence, showcasing the artistry of Japanese printmaking in its depiction of two influential figures.”
This vibrant woodblock print serves as a memorial portrait, capturing the esteemed kabuki actor Ichikawa Kodanji IV and the poet Shinba Koyasu. The scene unfolds with a striking visual balance, presenting the two figures in distinct yet complementary poses. Kodanji, on the left, is depicted in a theatrical costume, likely from one of his celebrated roles, his expression conveying a blend of solemnity and stage presence. His elaborate robes, rendered with intricate patterns and bold colors, speak to the opulence of kabuki theater. Beside him, Koyasu, the poet, offers a more subdued but equally dignified presence, perhaps reflecting his literary world. This print, created in 1866, provides a poignant glimpse into the cultural landscape of Edo period Japan, where the worlds of performance and poetry often intertwined, celebrating influential figures in both spheres. The print itself, an oban size, reflects the popular format for such commemorative works.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1866
- Medium
- Color woodblock print; oban
- Location
- Art Institute of Chicago
- Collection
- Arts of Asia
- Culture
- Japan
- Credit line
- Judson D. Metzger Collection
What to Notice
Four details hide in plain sight. Here’s where to look.

The intricate patterns on Kodanji's kabuki costume.
The contrasting expressions on the faces of the actor and the poet.
The subtle differences in their postures and attire.
The delicate color transitions achieved through woodblock printing.
Stand in front of it and listen
The full narration walks you through Memorial Portrait of the Actor Ichikawa Kodanji IV and Poet Shinba Koyasu — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Flower Arrangements
1595 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1850s–1880s
Barks Fleeing Before the Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
In the Auvergne
Jean-François Millet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
Seashore, Morning
William Hart · 1866 · The Metropolitan Museum of Art
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Races at Longchamp
Édouard Manet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant)
Gustave Courbet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Mirope Savati Gaye
Mariano Fortuny Marsal · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1850s–1880s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
