“This print draws you into a tender scene of the Madonna and Child with Saint John the Baptist, rendered with delicate light and shadow. Stefano Mulinari’s use of etching and aquatint gives the image a soft, almost ethereal quality, highlighting the intimate connection between the figures.”
In this intimate print, the Virgin Mary cradles the Christ Child, who reaches out to a young Saint John the Baptist. Mulinari captures a tender moment, with Mary’s gaze directed towards the two infants, her head gently tilted. The composition draws your eye to the center, where the three figures are clustered, creating a sense of quiet devotion. Light, seemingly from an unseen source above and to the left, illuminates their faces and the delicate folds of their drapery, emphasizing their forms against the darker background. The artist’s use of etching and aquatint creates subtle gradations of tone, giving the scene a soft, almost painterly quality, especially in the shadows that define the figures and their surroundings. The year 1750 for this print is plausible, given Stefano Mulinari's birth year of 1741, as he would have been around nine years old. It is possible the date refers to a design he copied or adapted.
- Artist
- Stefano Mulinari
- Date
- 1750
- Medium
- Etching and aquatint (?)
- Location
- The Metropolitan Museum of Art
- Dimensions
- sheet: 8 1/16 x 5 5/8 in. (20.4 x 14.3 cm)
- Collection
- Drawings and Prints
- Credit line
- Rogers Fund, 1962
What to Notice
Four details hide in plain sight. Here’s where to look.

The Christ Child's playful gesture, reaching towards Saint John.
The Virgin Mary's serene expression and the soft folds of her veil.
Saint John the Baptist's small cross, a symbol of his future mission.
The delicate shading in the background, creating depth around the figures.
Stefano Mulinari
1741–1790Italian engraver who transformed devotional scenes into intimate etchings with aquatint and colored washes.
Further Works by Mulinari
Madonna and Child with Saints Peter and Paul
1750 · The Metropolitan Museum of Art
Saint Jerome in Penitence
1750 · The Metropolitan Museum of Art
Winged Figure
1750 · The Metropolitan Museum of Art
Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right
1756 · The Metropolitan Museum of Art
Descent of the Holy Ghost
1760 · The Metropolitan Museum of Art
Flagellation of Christ
1760 · The Metropolitan Museum of Art
Saint John the Baptist with a lamb
1766 · The Metropolitan Museum of Art
More works to explore
Beyond Mulinari: works from the same years.
Same era · 1730s–1760s
Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780)
Maurice Quentin de Latour · 1752 · Art Institute of Chicago
Same era · 1730s–1760s
Richard Walker (1679–1764), Vice-Master and Horticulturist
John Theodore Heins · 1751 · Trinity College
Same era · 1730s–1760s
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
Philippe de la Salle · 1765 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Flying Figure Holding a Crown, Reclining River God
Jacques-Louis David · 1760 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Side Chair
Artist Unknown - The Mercat Cross, Aberdeen · 1750 · Art Institute of Chicago
Same era · 1730s–1760s
Medal cabinet
William Vile · 1760 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Hunter with Hounds
Höchster Porzellan-Manufaktur · 1755 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Image of an Empire in Peace and Prosperity
Zhou Kun · 1745 · National Palace Museum
Same era · 1730s–1760s
Landscape
William Wooller · 1763 · Cleveland Museum of Art
Same era · 1730s–1760s
View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi · 1763 · Art Institute of Chicago
