“This lithograph by Isaac Soyer offers a poignant glimpse into the everyday labor of a laundress in 1935, using stark light and shadow to convey both the physical demands and quiet dignity of her work.”
In Isaac Soyer's "Laundress," a woman leans over a washboard, her form silhouetted against a window. The scene is one of quiet, solitary labor, capturing a moment from the daily life of working-class individuals during the Great Depression. Despite the mundane task, Soyer imbues the figure with a sense of dignity, her posture suggesting resilience rather than resignation. The artist uses the stark contrast between light and shadow to emphasize the woman's form and the texture of her surroundings. This lithograph, created in 1935, reflects a broader artistic trend of the era, where artists often depicted ordinary people and their struggles, bringing attention to the social realities of the time. The simplicity of the composition and the focus on a single figure draw the viewer into her world, highlighting the physical demands of her work.
- Artist
- Isaac Soyer
- Date
- 1935
- Medium
- Lithograph on paper
- Location
- Art Institute of Chicago
- Dimensions
- 40 × 57 cm (15 3/4 × 22 1/2 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The strong diagonal line of the washboard.
The way light from the window illuminates the woman's back.
The subtle folds in her dress, suggesting movement.
The texture of the fabric she is washing.
1 more detail is waiting.
See all 5 in Art Whisper →More from Social Realism
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Pierre Alechinsky · 1950
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That Which I Should Have Done I Did Not Do (The Door)
Ivan Puni · 1931 · Art Institute of Chicago
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American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1920s–1950s
The Jester
Philip Evergood · 1950 · Whitney Museum of American Art
Same era · 1920s–1950s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1920s–1950s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1920s–1950s
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
Salvador Dalí · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
In the Magic Mirror
Paul Klee · 1934 · Art Institute of Chicago
Same era · 1920s–1950s
Woman at an Easel (Green Screen)
Georges Braque · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
On the Threshold of Liberty
René Magritte · 1937 · Art Institute of Chicago


