“Stop to examine this striking portrait of Captain Sir Edward Brace, a hero of the Napoleonic Wars. It captures the dignity and resolve of a naval officer, offering a direct window into a significant historical period.”
Captain Sir Edward Brace, a naval officer who served during the Napoleonic Wars, is presented here with a direct, confident gaze. His uniform, meticulously rendered in oil on canvas, speaks to his rank and the formality of the era. The artist, Thomas Stewardson, captures a sense of quiet authority in Brace's posture and expression, suggesting a man accustomed to command. The muted background keeps the focus entirely on the sitter, emphasizing his presence rather than any specific setting. This portrait offers a glimpse into the appearance and self-presentation of a prominent figure from early 19th-century British maritime history, allowing us to connect with a moment of national pride and military valor through an individual’s likeness.
- Artist
- Thomas Stewardson
- Date
- 1816
- Medium
- Oil on canvas
- Location
- Royal Museums Greenwich
What to Notice
Four details hide in plain sight. Here’s where to look.

The intricate gold braiding and buttons on his dark blue naval uniform.
The high collar and white cravat, symbols of early 19th-century male fashion.
The subtle modeling of his face, suggesting a mature and experienced individual.
The way his left hand rests, conveying a sense of ease and control.
Stand in front of it and listen
The full narration walks you through Captain Sir Edward Brace, circa 1769-1843 — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Thomas Stewardson
1781–1859Thomas Stewardson was a British portrait painter whose work inspired poems by Letitia Elizabeth Landon.
Further Works by Stewardson
Mr Jackson
1800 · Abbot Hall Art Gallery
Mrs Jackson
1800 · Abbot Hall Art Gallery
Portrait of the Artist's Father
1800 · Abbot Hall Art Gallery
The Ainslie Sisters (Agnes and Margaret)
1808 · Abbot Hall Art Gallery
George Birkett
1810 · Abbot Hall Art Gallery
Mr Hugh Gurnal
1810 · Kendal Town Hall
The Children of the 13th Marquess
1812 · Winchester Guildhall
George, 1st Earl of Onslow (1731-1814)
1813 · National Trust
More works to explore
Beyond Stewardson: works from the same years.
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1800s–1830s
General Étienne-Maurice Gérard (1773–1852)
Jacques-Louis David · 1816 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Third of May 1808
Francisco Goya · 1814 · Museo del Prado
Same era · 1800s–1830s
Wanderer above the Sea of Fog
Caspar David Friedrich · 1818 · Hamburger Kunsthalle
Same era · 1800s–1830s
England: Richmond Hill, on the Prince Regent's Birthday
J. M. W. Turner · 1819 · National Gallery
Same era · 1800s–1830s
Male Academy Figure: Half-Length, Side View
Eugène Delacroix · 1819 · Karen B. Cohen Collection
Same era · 1800s–1830s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
Sketchbook: Souvenir of Naples
Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
