“Stop to admire this rare gold five-pound coin featuring a youthful Queen Victoria and a captivating allegorical scene of Una and the Lion, celebrated for its exceptional beauty and craftsmanship.”
This gleaming gold coin presents a captivating duality: on one side, a youthful Queen Victoria, and on the other, a scene inspired by Edmund Spenser's epic poem, The Faerie Queene. Struck in 1839, this five-pound piece was never intended for circulation, instead serving as a presentation piece or for collectors. The reverse depicts Victoria as Una, the personification of Truth, gently guiding a powerful lion, often referred to as the British lion. This design choice elevates the coin beyond mere currency, transforming it into a miniature work of art that intertwines royal portraiture with classical allegory. Its exceptional craftsmanship and striking quality have led many to consider it one of the most beautiful coins in the English series.
- Artist
- William Wyon
- Date
- 1839
- Medium
- gold
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Medieval Art
- Culture
- England, Victoria, 1837-1901
- Credit line
- The Norweb Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the detailed portrait of the young Queen Victoria on the obverse.
Notice Una's flowing drapery and serene expression as she leads the lion.
See the lion's powerful musculature and the intricate texture of its mane.
Look for the year 1839 inscribed below Una and the lion.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Five Pound Piece: Victoria (obverse); Una (reverse) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
William Wyon
1795–1851 · British EmpireWilliam Wyon, Chief Engraver at the Royal Mint, left an indelible mark on British coinage and even the world's first adhesive postage stamp, the Penny Black.
Further Works by Wyon
Five Pound Piece: Portrait of Queen Victoria (obverse)
1839 · Cleveland Museum of Art
Five Pound Piece: Una, Guiding the Lion (reverse)
1839 · Cleveland Museum of Art
Sovereign: Broad Crowned Shield of Arms, Olive Branches and National Emblems (reverse)
1839 · Cleveland Museum of Art
Sovereign: Victoria (obverse); Shield of Arms (reverse)
1839 · Cleveland Museum of Art
George III "Incorrupta" crown
1817 · The Metropolitan Museum of Art
"Three Graces" crown
1817 · The Metropolitan Museum of Art
Study for "Flying Victory"
1825 · The Metropolitan Museum of Art
George IV crown
1826 · The Metropolitan Museum of Art
More works to explore
Beyond Wyon: works from the same years.
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Stormy Sea Breaking on a Shore
J. M. W. Turner · 1840 · Yale Center for British Art
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
