“This exquisite gold coin features Una and the Lion, a design inspired by classical literature, showcasing the meticulous detail and Neoclassical ideals of early Victorian coinage.”
On this five-pound gold coin, a regal figure of Una, personifying truth and beauty, gently guides a powerful lion. Her serene profile, with flowing hair and a delicate crown, is contrasted by the lion's muscular form, its mane meticulously rendered. This reverse side of the 1839 coin draws inspiration from Edmund Spenser's epic poem, The Faerie Queene, where Una tames a lion through her purity. The detailed engraving captures a moment of harmony between strength and grace, a classical ideal brought to life on a small, precious canvas. The coin's design reflects the Neoclassical taste prevalent in the early Victorian era, emphasizing classical themes and idealized forms. It was created by the chief engraver at the Royal Mint, who became a full member of the Royal Academy in 1838.
- Artist
- William Wyon
- Date
- 1839
- Medium
- gold
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Medieval Art
- Culture
- England, Victoria, 1837-1901
- Credit line
- The Norweb Collection
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe Una's flowing drapery, which seems to ripple around her as she walks.
Notice the lion's powerful paws and the texture of its mane.
See the delicate crown adorning Una's head.
Look for the inscription along the edge, indicating the coin's value and year.
Stand in front of it and listen
The full narration walks you through Five Pound Piece: Una, Guiding the Lion (reverse) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
William Wyon
1795–1851 · British EmpireWilliam Wyon, Chief Engraver at the Royal Mint, left an indelible mark on British coinage and even the world's first adhesive postage stamp, the Penny Black.
Further Works by Wyon
Five Pound Piece: Portrait of Queen Victoria (obverse)
1839 · Cleveland Museum of Art
Five Pound Piece: Victoria (obverse); Una (reverse)
1839 · Cleveland Museum of Art
Sovereign: Broad Crowned Shield of Arms, Olive Branches and National Emblems (reverse)
1839 · Cleveland Museum of Art
Sovereign: Victoria (obverse); Shield of Arms (reverse)
1839 · Cleveland Museum of Art
George III "Incorrupta" crown
1817 · The Metropolitan Museum of Art
"Three Graces" crown
1817 · The Metropolitan Museum of Art
Study for "Flying Victory"
1825 · The Metropolitan Museum of Art
George IV crown
1826 · The Metropolitan Museum of Art
More works to explore
Beyond Wyon: works from the same years.
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Stormy Sea Breaking on a Shore
J. M. W. Turner · 1840 · Yale Center for British Art
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
