“Stop to witness the raw emotion of the Crucifixion in this detailed engraving. The artist masterfully uses light and shadow to highlight the Virgin Mary's collapse and the comforting presence of Saint John, all under the watchful, sorrowful eyes of hovering angels.”
This engraving presents a stark and emotionally charged depiction of the Crucifixion, focusing on the immediate aftermath of Christ's death. The Virgin Mary, draped in heavy robes, collapses in anguish at the foot of the cross, her face a mask of grief. Beside her, Saint John the Evangelist supports her, his own sorrow evident in his downturned gaze and clasped hands. Above the mournful figures, two angels hover, their forms ethereal against the dark sky, one reaching out as if to catch a falling tear. The intricate cross-hatching and fine lines characteristic of engraving lend a deep texture and somber atmosphere to the scene, emphasizing the dramatic play of light and shadow that highlights the figures' emotional intensity. This work by Matteo Florimi, created in 1588, captures a moment of profound human suffering and divine intervention.
- Artist
- Matteo Florimi
- Date
- 1588
- Medium
- Engraving; first state of two
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet (Trimmed): 20 13/16 × 12 13/16 in. (52.8 × 32.5 cm)
- Collection
- Drawings and Prints
- Credit line
- Rogers Fund, 1962
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the Virgin Mary's collapsed posture, conveying her overwhelming grief.
Note the delicate outstretched hand of the angel above, seemingly reaching for a tear.
See the intricate cross-hatching that creates deep shadows and textures in the drapery.
Look at Saint John's clasped hands, a gesture of profound sorrow and support.
1 more detail is waiting.
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Matteo Florimi
1540–1603Matteo Florimi was a prolific Italian engraver and publisher, known for his religious prints and intricate embroidery patterns.
Further Works by Florimi
Virgin and Child with the infant Saint John the Baptist
1576 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 11 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 18 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 4 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 6 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 7 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 8 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 9 (recto)
1591 · The Metropolitan Museum of Art
More works to explore
Beyond Florimi: works from the same years.
Same era · 1570s–1600s
Christ Healing the Blind
El Greco · 1585
Same era · 1570s–1600s
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1570s–1600s
Penitent Magdalene
Titian · 1575
Same era · 1570s–1600s
Flower Arrangements
Artist Unknown - The Mercat Cross, Aberdeen · 1595 · Art Institute of Chicago
Same era · 1570s–1600s
The Lamentation with Saint Francis and Two Angels
Peter Paul Rubens · 1603 · The Metropolitan Museum of Art
Same era · 1570s–1600s
Virgin and Child in a Church, also known as the Van Maelbeke Virgin
Wierix · 1575 · The Metropolitan Museum of Art
Same era · 1570s–1600s
Wooded landscape with a road
Jan Brueghel the Elder · 1602
Same era · 1570s–1600s
Half Armor for the Foot Tournament
Pompeo della Cesa · 1585 · Cleveland Museum of Art
Same era · 1570s–1600s
Female Head
Gaetano Gandolfi · 1592 · Art Institute of Chicago
Same era · 1570s–1600s
Flowers and Birds
Zhou Zhimian · 1595 · Los Angeles County Museum of Art
Same era · 1570s–1600s
The Virgin and Child with Saint Anne
Georges de La Tour · 1600 · The Metropolitan Museum of Art
Same era · 1570s–1600s
Winter Landscape with Snowfall near Antwerp
Lucas van Valckenborch · 1575 · Städel Museum
