Matteo Florimi, 1591
A 1591 embroidery pattern book page — part craftsman's manual, part Renaissance art object, used by needleworkers across Europe.
This woodcut is page 4 (recto) from Matteo Florimi's 1591 pattern book, 'Fiori di Ricami Nuovamente Posti in Luce,' which translates roughly as 'Flowers of Embroidery Newly Brought to Light.' Published in Siena, this book belongs to a rich tradition of 16th-century needlework pattern books that served as practical guides for professional and domestic embroiderers across Europe. Florimi, active as a publisher and printmaker between roughly 1540 and 1603, produced this extensive series of woodcut designs at a time when such pattern books were among the most commercially successful printed materials in circulation. The Metropolitan Museum holds nearly the entire series, offering a rare opportunity to appreciate the book as a complete artistic and utilitarian object.
Each page of the 'Fiori di Ricami' presents intricate geometric and floral motifs rendered in the crisp black-and-white language of the woodcut medium. The designs are laid out on a grid framework — essentially a visual language of counted stitches — making them directly transferable to canvas or linen. These patterns reflect the late Renaissance taste for symmetrical, interlocking ornamental forms drawn from botanical, architectural, and abstract sources. Page 4 sits near the beginning of the sequence, likely presenting foundational or introductory patterns before the designs grow more elaborate in later pages.
The precise grid structure underlying the design — each unit maps directly to a stitch count for embroiderers
Symmetrical repetition of floral or geometric motifs, typical of late Renaissance ornamental style
The bold contrast of black ink against white paper, made possible by the woodcut's carved relief surface
A 1591 embroidery pattern book page — part craftsman's manual, part Renaissance art object, used by needleworkers across Europe.
Matteo Florimi was a prolific Italian engraver and publisher, known for his religious prints and intricate embroidery patterns.
Read Matteo's full story in Art Whisper