“Stop to appreciate this tender engraving of the Virgin and Child with the infant Saint John the Baptist. It captures a moment of gentle interaction, made vivid through delicate lines and intimate composition, inviting a quiet contemplation of the sacred.”
In this intimate engraving, the Virgin Mary cradles the Christ Child, who reaches out playfully towards the infant Saint John the Baptist. The scene is framed by a simple, almost domestic setting, emphasizing the tender interaction between the figures. Mary's gaze is directed towards John, a gesture of maternal warmth that draws the viewer into the quiet drama. The delicate lines of the engraving capture the softness of the children's skin and the gentle folds of the drapery, creating a sense of naturalism unusual for the period. Florimi, active in Siena, was primarily a printmaker, and this work from 1576 demonstrates his skill in translating a devotional theme into an accessible, small-scale image. The composition invites contemplation, focusing on the human connection within this sacred narrative.
- Artist
- Matteo Florimi
- Date
- 1576
- Medium
- Engraving
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet (Trimmed): 4 3/4 × 3 11/16 in. (12 × 9.4 cm)
- Collection
- Drawings and Prints
- Credit line
- The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1981
What to Notice
Five details hide in plain sight. Here’s where to look.

The Christ Child's playful reach towards Saint John the Baptist.
Mary's direct gaze, linking her to the infant John.
The delicate cross held by Saint John, a hint at his future role.
The subtle texture of the Virgin's veil and drapery.
1 more detail is waiting.
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Matteo Florimi
1540–1603Matteo Florimi was a prolific Italian engraver and publisher, known for his religious prints and intricate embroidery patterns.
Further Works by Florimi
Crucifixion with the Virgin Mary and Saint John the Evangelist, angels overhead
1588 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 11 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 18 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 4 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 6 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 7 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 8 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 9 (recto)
1591 · The Metropolitan Museum of Art
More works to explore
Beyond Florimi: works from the same years.
Same era · 1560s–1590s
Penitent Magdalene
Titian · 1575
Same era · 1560s–1590s
The Assumption of the Virgin
El Greco · 1577 · Art Institute of Chicago
Same era · 1560s–1590s
The Tower of Babel
Pieter Bruegel the Elder · 1563
Same era · 1560s–1590s
Virgin and Child in a Church, also known as the Van Maelbeke Virgin
Wierix · 1575 · The Metropolitan Museum of Art
Same era · 1560s–1590s
Winter Landscape with Snowfall near Antwerp
Lucas van Valckenborch · 1575 · Städel Museum
Same era · 1560s–1590s
Portions of an Armor for Vincenzo Luigi di Capua (d. 1627)
Pompeo della Cesa · 1570 · The Metropolitan Museum of Art
Same era · 1560s–1590s
Trionfo Di Virtu. Libro Novo..., page 28 (recto)
Matteo Pagano · 1563 · The Metropolitan Museum of Art
