“Stop to appreciate this woodcut from a 16th-century pattern book, offering a window into the intricate designs that inspired Renaissance embroiderers and artisans.”
This woodcut, from Matteo Florimi’s 1591 publication, "Fiori di Ricami Nuovamente Posti in Luce" (Flowers of Embroidery Newly Brought to Light), offers a glimpse into the intricate world of Renaissance needlework. The page is filled with a grid of delicate, symmetrical patterns, each designed to inspire and guide embroiderers. These motifs, ranging from stylized floral arrangements to geometric interlaces, were not just decorative; they were essential tools for artisans creating everything from domestic linens to elaborate ecclesiastical vestments. The crisp lines and clear forms, characteristic of the woodcut technique, ensured that these patterns could be easily replicated, making sophisticated designs accessible to a wider audience. This particular page showcases the variety and precision expected of needlework during a period when textiles were a significant marker of status and artistry.
- Artist
- Matteo Florimi
- Date
- 1591
- Medium
- Woodcut
- Location
- The Metropolitan Museum of Art
- Dimensions
- Overall: 5 1/2 x 7 7/8 in. (14 x 20 cm)
- Collection
- Drawings and Prints
- Credit line
- The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953
What to Notice
Four details hide in plain sight. Here’s where to look.

The central square pattern with a radiating star-like design.
The delicate, repeating floral motifs in the surrounding border.
The fine, even lines of the woodcut, perfect for replication.
The small, intricate corner designs that frame the larger patterns.
Stand in front of it and listen
The full narration walks you through Fiori di Ricami Nuovamente Posti in Luce, page 7 (recto) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Matteo Florimi
1540–1603Matteo Florimi was a prolific Italian engraver and publisher, known for his religious prints and intricate embroidery patterns.
Further Works by Florimi
Virgin and Child with the infant Saint John the Baptist
1576 · The Metropolitan Museum of Art
Crucifixion with the Virgin Mary and Saint John the Evangelist, angels overhead
1588 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 11 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 18 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 4 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 6 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 8 (recto)
1591 · The Metropolitan Museum of Art
Fiori di Ricami Nuovamente Posti in Luce, page 9 (recto)
1591 · The Metropolitan Museum of Art
More works to explore
Beyond Florimi: works from the same years.
Same era · 1570s–1600s
Saint Francis Kneeling in Meditation
El Greco · 1597 · Art Institute of Chicago
Same era · 1570s–1600s
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1570s–1600s
Flower Arrangements
Artist Unknown - The Mercat Cross, Aberdeen · 1595 · Art Institute of Chicago
Same era · 1570s–1600s
The Lamentation with Saint Francis and Two Angels
Peter Paul Rubens · 1603 · The Metropolitan Museum of Art
Same era · 1570s–1600s
Wooded landscape with a road
Jan Brueghel the Elder · 1602
Same era · 1570s–1600s
Female Head
Gaetano Gandolfi · 1592 · Art Institute of Chicago
Same era · 1570s–1600s
Flowers and Birds
Zhou Zhimian · 1595 · Los Angeles County Museum of Art
Same era · 1570s–1600s
Half Armor for the Foot Tournament
Pompeo della Cesa · 1585 · Cleveland Museum of Art
Same era · 1570s–1600s
The Virgin and Child with Saint Anne
Georges de La Tour · 1600 · The Metropolitan Museum of Art
Same era · 1570s–1600s
La Pratique de l'Aiguille, page 11 (recto)
Matthias Mignerak · 1605 · The Metropolitan Museum of Art
