A Face from Georgia by Ivan Albright

A Face from Georgia

Ivan Albright · 1970

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“Stop to examine this unnerving portrait, where every wrinkle and pore is rendered with an almost obsessive detail. It’s a powerful meditation on the human form and the relentless march of time.”

ABOUT THIS WORK

A face emerges from a swirling, indeterminate background in Ivan Albright’s A Face from Georgia. The canvas is dominated by a single, tightly cropped portrait, rendered with an almost microscopic attention to texture and detail. Every wrinkle, pore, and strand of hair is meticulously delineated, creating a surface that feels both intensely real and strangely unsettling. The skin, a palette of muted grays, purples, and greens, suggests the passage of time and the fragility of the human form. This work, created late in Albright’s career, continues his exploration of the physical body, pushing beyond simple representation to evoke a deeper sense of decay and existence. The subject’s direct gaze, combined with the painting’s almost claustrophobic focus, draws the viewer into a profound contemplation of individuality and the inevitable effects of age.

DETAILS
Artist
Ivan Albright
Date
1970
Medium
Oil on canvas
Location
Art Institute of Chicago
Dimensions
39.4 × 27.3 cm (15 1/2 × 10 3/4 in.)
Collection
Arts of the Americas
Culture
United States
Credit line
Gift of Ivan Albright
LOOK CLOSER

What to Notice

Five details hide in plain sight. Here’s where to look.

A Face from Georgia
01

The intricate network of wrinkles around the eyes and mouth.

02

The subtle variations in skin tone, from ruddy to pale green.

03

Individual strands of hair meticulously painted on the scalp.

04

The way the background seems to dissolve and reform around the head.

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AUDIO DEEP DIVE

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The full narration walks you through A Face from Georgia — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.

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THE ARTIST

Ivan Albright

Ivan Albright, the "master of the macabre," spent years meticulously detailing the fragility of flesh and the human condition in works like "That Which I Should Have Done I Did Not Do (The Door)."

Read Albright’s full story
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Beyond Albright: works from the same years.

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