DETAILS
- Artist
- Jean-François Millet
- Date
- 1840
- Location
- Cleveland Museum of Art
ART MOVEMENTS
AUDIO DEEP DIVE
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The full narration walks you through Monsieur Martin — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
THE ARTIST
Jean-François Millet
1814–1875 · FranceJean-François Millet was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, Conté crayon drawings, and etchings.
MORE FROM THIS ARTIST
Further Works by Millet
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Young Woman
1844 · Art Institute of Chicago
Woman Feeding Chickens
1850 · Art Institute of Chicago
The Sheepshearers
1857 · Art Institute of Chicago
Peasants Bringing Home a Calf Born in the Fields
1864 · Art Institute of Chicago
In the Auvergne
1866 · Art Institute of Chicago
The Little Shepherdess
1870 · Art Institute of Chicago
The Diggers
1855 · Cleveland Museum of Art
The Wool Carder
1855 · The Metropolitan Museum of Art
EXPLORE THE MOVEMENT
More from Realism
KEEP EXPLORING
More works to explore
Beyond Millet and Realism: works from the same years, and from the other movements Monsieur Martin belongs to.
Same movement · Barbizon school
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same movement · Naturalism
Portrait of a Woman, Called Héloïse Abélard
Gustave Courbet · 1850 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Stormy Sea Breaking on a Shore
J. M. W. Turner · 1840 · Yale Center for British Art
Same movement · Naturalism
Souvenir of Tuscany
Jean Baptiste Camille Corot · 1845 · Art Institute of Chicago
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same movement · Naturalism
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
Honoré Daumier · 1856 · The Metropolitan Museum of Art
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
The Brook of Les Puits-Noir
Gustave Courbet · 1855 · Art Institute of Chicago
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1820s–1850s
Figures at an Arcadian Fountain (Fountain of Egeria)
William Havell · 1840 · Reading Museum



