“This lithograph captures a man's reluctant encounter with horse meat, satirizing a controversial culinary trend in 19th-century France and reflecting societal discomfort with change.”
In this lithograph, a man sits hunched over a plate of meat, his expression a mix of apprehension and resignation. He is clearly not enjoying his meal, a stark contrast to the hearty appetites often associated with dining. The title, "C'est peut-être bon...mais c'est égal..." (It might be good...but it doesn't matter...), hints at a deeper societal commentary. Published in Le Charivari in 1856 as part of the series Les Hippophages, this print satirizes the controversial practice of eating horse meat, which had recently gained traction in France as an economical alternative during times of scarcity. The man's discomfort reflects the public's mixed feelings and lingering taboos surrounding this new culinary trend, highlighting the tension between necessity and tradition. The dark, heavy lines of the lithograph emphasize the somber mood and the sitter's internal struggle.
- Artist
- Honoré Daumier
- Date
- 1856
- Medium
- Lithograph; second state of two (Delteil)
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 10 3/8 × 10 11/16 in. (26.4 × 27.1 cm)
- Collection
- Drawings and Prints
- Credit line
- The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
What to Notice
Four details hide in plain sight. Here’s where to look.

The man's slumped posture and downcast eyes, suggesting his displeasure.
The way his fork hovers over the meat, hesitant to take another bite.
The simple, almost barren setting, emphasizing the focus on the diner.
The dark shadows that deepen the sense of gloom around the figure.
Stand in front of it and listen
The full narration walks you through C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856 — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Daumier
Adèlaïde...Il me semble que je vois...la comète! (Adelaide...I think I see the comet!), from Croquis Parisiens, published in Le Charivari, February 18, 1857
1857 · The Metropolitan Museum of Art
Archimède riant des efforts impuissants que font les Anglais pour mettre à flot le Leviathan, from Actualités, published in Le Charivari, December 5, 1857
1857 · The Metropolitan Museum of Art
Ayant enfin trouvé..., from Actualités, published in Le Charivari, August 14, 1857
1857 · The Metropolitan Museum of Art
Ce perdreau est mort sur mon terrain..., from Émotions de Chasse, published in Le Charivari, October 10, 1857
1857 · The Metropolitan Museum of Art
Ce qui nous prouve comme quoi il est... inutile..., from Croquis Dramatiques, published in Le Charivari, May 23, 1857
1857 · The Metropolitan Museum of Art
Absinthe: The first glass, the sixth glass, from 'The Chinese of Paris," published in Le Charivari, December 22, 1863
1863 · The Metropolitan Museum of Art
A happy evening party in Clichy, from 'News of the day,' published in Le Charivari, March 16, 1865
1865 · The Metropolitan Museum of Art
A sudden awakening, from 'Parisian sketches,' published in Le Charivari, November 1, 1865
1865 · The Metropolitan Museum of Art
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Edgar Degas · 1860 · Art Institute of Chicago
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An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
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Alfred Sisley
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Sea View, Calm Weather (Vue de mer, temps calme)
Édouard Manet · 1864 · Art Institute of Chicago



