C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856 by Honoré Daumier

C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856

Honoré Daumier · 1856

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“This lithograph captures a man's reluctant encounter with horse meat, satirizing a controversial culinary trend in 19th-century France and reflecting societal discomfort with change.”

ABOUT THIS WORK

In this lithograph, a man sits hunched over a plate of meat, his expression a mix of apprehension and resignation. He is clearly not enjoying his meal, a stark contrast to the hearty appetites often associated with dining. The title, "C'est peut-être bon...mais c'est égal..." (It might be good...but it doesn't matter...), hints at a deeper societal commentary. Published in Le Charivari in 1856 as part of the series Les Hippophages, this print satirizes the controversial practice of eating horse meat, which had recently gained traction in France as an economical alternative during times of scarcity. The man's discomfort reflects the public's mixed feelings and lingering taboos surrounding this new culinary trend, highlighting the tension between necessity and tradition. The dark, heavy lines of the lithograph emphasize the somber mood and the sitter's internal struggle.

DETAILS
Artist
Honoré Daumier
Date
1856
Medium
Lithograph; second state of two (Delteil)
Location
The Metropolitan Museum of Art
Dimensions
Sheet: 10 3/8 × 10 11/16 in. (26.4 × 27.1 cm)
Collection
Drawings and Prints
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
ART MOVEMENTS
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What to Notice

Four details hide in plain sight. Here’s where to look.

C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
01

The man's slumped posture and downcast eyes, suggesting his displeasure.

02

The way his fork hovers over the meat, hesitant to take another bite.

03

The simple, almost barren setting, emphasizing the focus on the diner.

04

The dark shadows that deepen the sense of gloom around the figure.

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