“This lithograph captures a wife's sudden, dramatic awakening beside her soundly sleeping husband, offering a humorous and relatable glimpse into 19th-century Parisian domestic life and its everyday absurdities.”
A woman sits bolt upright in bed, eyes wide with alarm, her nightcap askew. This lithograph captures the exact moment of a "sudden awakening," as the title suggests. Her husband, slumped beside her, seems utterly oblivious, lost in a deep sleep. The scene unfolds with a dramatic contrast between the wife’s startled expression and the husband’s placid slumber, highlighting a universal domestic dynamic. Published in the satirical Parisian newspaper Le Charivari in 1865, this image would have resonated with its readers, offering a humorous yet pointed commentary on marital life and the often-unequal burdens within a household. The artist, known for his keen observations of everyday Parisian existence, masterfully uses the stark black and white of the lithograph to emphasize the suddenness of the event and the woman's palpable distress.
- Artist
- Honoré Daumier
- Date
- 1865
- Medium
- Lithograph on newsprint; second state of two (Delteil)
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 8 3/4 × 8 7/16 in. (22.3 × 21.4 cm)
- Collection
- Drawings and Prints
- Credit line
- Gift of Harry G. Friedman, 1960
What to Notice
Five details hide in plain sight. Here’s where to look.

The wife's wide, staring eyes and open mouth.
Her nightcap, pushed back, revealing disheveled hair.
The husband's serene, almost blissful sleeping face.
His arm casually draped over the edge of the bed.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through A sudden awakening, from 'Parisian sketches,' published in Le Charivari, November 1, 1865 — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Daumier
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
1856 · The Metropolitan Museum of Art
Adèlaïde...Il me semble que je vois...la comète! (Adelaide...I think I see the comet!), from Croquis Parisiens, published in Le Charivari, February 18, 1857
1857 · The Metropolitan Museum of Art
Archimède riant des efforts impuissants que font les Anglais pour mettre à flot le Leviathan, from Actualités, published in Le Charivari, December 5, 1857
1857 · The Metropolitan Museum of Art
Ayant enfin trouvé..., from Actualités, published in Le Charivari, August 14, 1857
1857 · The Metropolitan Museum of Art
Ce perdreau est mort sur mon terrain..., from Émotions de Chasse, published in Le Charivari, October 10, 1857
1857 · The Metropolitan Museum of Art
Ce qui nous prouve comme quoi il est... inutile..., from Croquis Dramatiques, published in Le Charivari, May 23, 1857
1857 · The Metropolitan Museum of Art
Absinthe: The first glass, the sixth glass, from 'The Chinese of Paris," published in Le Charivari, December 22, 1863
1863 · The Metropolitan Museum of Art
A happy evening party in Clichy, from 'News of the day,' published in Le Charivari, March 16, 1865
1865 · The Metropolitan Museum of Art
More from Naturalism
More works to explore
Beyond Daumier and Naturalism: works from the same years.
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant)
Gustave Courbet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Jesus Mocked by the Soldiers
Édouard Manet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Mirope Savati Gaye
Mariano Fortuny Marsal · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Valley of the Bedford
William Hart · 1865 · Fogg Museum
Same era · 1850s–1880s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1850s–1880s
Peasants Bringing Home a Calf Born in the Fields
Jean-François Millet · 1864 · Art Institute of Chicago
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago



