“This dramatic lithograph by Honoré Daumier captures a tense moment of public spectacle, inviting us to consider the fine line between tragedy and dark humor in 19th-century Parisian life.”
In this lithograph, a man stands precariously on the edge of a balcony, his arms outstretched, as if about to leap. Below him, a crowd of onlookers gazes up, their faces a mixture of alarm and curiosity. The scene, titled "Ayant enfin trouvé..." (Having finally found...), was published in the satirical French newspaper Le Charivari in 1857. This print captures a moment of public spectacle, a common theme for Daumier, who often depicted the absurdities and dramas of Parisian life. The composition draws the eye from the teetering figure to the anxious faces below, creating a sense of impending action. It's a snapshot of collective human reaction, inviting us to ponder what has driven the man to this desperate act and what the crowd expects to witness.
- Artist
- Honoré Daumier
- Date
- 1857
- Medium
- Lithograph on newsprint; second state of two (Delteil)
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 9 3/4 × 14 3/16 in. (24.7 × 36 cm)
- Collection
- Drawings and Prints
- Credit line
- Rogers Fund, 1922
What to Notice
Four details hide in plain sight. Here’s where to look.

The man's outstretched arms and precarious balance on the balcony.
The varied expressions of the crowd below, from shock to anticipation.
The architectural details of the building, suggesting a Parisian street.
The newspaper's masthead and publication date at the top.
Stand in front of it and listen
The full narration walks you through Ayant enfin trouvé..., from Actualités, published in Le Charivari, August 14, 1857 — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Daumier
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
1856 · The Metropolitan Museum of Art
Adèlaïde...Il me semble que je vois...la comète! (Adelaide...I think I see the comet!), from Croquis Parisiens, published in Le Charivari, February 18, 1857
1857 · The Metropolitan Museum of Art
Archimède riant des efforts impuissants que font les Anglais pour mettre à flot le Leviathan, from Actualités, published in Le Charivari, December 5, 1857
1857 · The Metropolitan Museum of Art
Ce perdreau est mort sur mon terrain..., from Émotions de Chasse, published in Le Charivari, October 10, 1857
1857 · The Metropolitan Museum of Art
Ce qui nous prouve comme quoi il est... inutile..., from Croquis Dramatiques, published in Le Charivari, May 23, 1857
1857 · The Metropolitan Museum of Art
Absinthe: The first glass, the sixth glass, from 'The Chinese of Paris," published in Le Charivari, December 22, 1863
1863 · The Metropolitan Museum of Art
A happy evening party in Clichy, from 'News of the day,' published in Le Charivari, March 16, 1865
1865 · The Metropolitan Museum of Art
A sudden awakening, from 'Parisian sketches,' published in Le Charivari, November 1, 1865
1865 · The Metropolitan Museum of Art
More from Naturalism
More works to explore
Beyond Daumier and Naturalism: works from the same years.
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William Hart · 1855 · Museum of Fine Arts Boston
Same era · 1840s–1870s
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Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
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Olive Trees
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An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago



