“Stop and observe this vibrant snapshot of a 19th-century Parisian party. Daumier's expressive lines bring the scene to life, capturing the joy and chatter of a social evening in remarkable detail.”
In this lively lithograph, Honoré Daumier captures a bustling evening party in Clichy, a Parisian suburb. The scene is full of movement and chatter, with figures clustered around tables, their faces animated by conversation and laughter. Daumier uses bold, expressive lines to suggest the energy of the gathering, from the dramatic sweep of a woman's dress to the gestural hand of a man mid-sentence. Though rendered in black and white on newsprint, the artist masterfully conveys the atmosphere of a social event, hinting at the clinking of glasses and the murmur of many voices. Published in Le Charivari in 1865, this print offers a glimpse into the daily life and leisure of the Parisian bourgeoisie, a frequent subject for Daumier after stricter censorship laws curtailed his overtly political cartoons in the 1830s.
- Artist
- Honoré Daumier
- Date
- 1865
- Medium
- Lithograph on newsprint; second state of two (Delteil)
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 8 7/8 in. × 9 in. (22.5 × 22.8 cm)
- Collection
- Drawings and Prints
- Credit line
- Rogers Fund, 1922
What to Notice
Five details hide in plain sight. Here’s where to look.

The central figure's dramatic gesture and wide-open mouth, suggesting animated conversation.
The varied expressions on the faces of the party-goers, from laughter to thoughtful listening.
The intricate patterns on the women's dresses and bonnets, typical of 19th-century fashion.
The way light and shadow define the figures, despite the print's monochromatic nature.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through A happy evening party in Clichy, from 'News of the day,' published in Le Charivari, March 16, 1865 — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Daumier
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
1856 · The Metropolitan Museum of Art
Adèlaïde...Il me semble que je vois...la comète! (Adelaide...I think I see the comet!), from Croquis Parisiens, published in Le Charivari, February 18, 1857
1857 · The Metropolitan Museum of Art
Archimède riant des efforts impuissants que font les Anglais pour mettre à flot le Leviathan, from Actualités, published in Le Charivari, December 5, 1857
1857 · The Metropolitan Museum of Art
Ayant enfin trouvé..., from Actualités, published in Le Charivari, August 14, 1857
1857 · The Metropolitan Museum of Art
Ce perdreau est mort sur mon terrain..., from Émotions de Chasse, published in Le Charivari, October 10, 1857
1857 · The Metropolitan Museum of Art
Ce qui nous prouve comme quoi il est... inutile..., from Croquis Dramatiques, published in Le Charivari, May 23, 1857
1857 · The Metropolitan Museum of Art
Absinthe: The first glass, the sixth glass, from 'The Chinese of Paris," published in Le Charivari, December 22, 1863
1863 · The Metropolitan Museum of Art
A sudden awakening, from 'Parisian sketches,' published in Le Charivari, November 1, 1865
1865 · The Metropolitan Museum of Art
More from Naturalism
More works to explore
Beyond Daumier and Naturalism: works from the same years.
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant)
Gustave Courbet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Jesus Mocked by the Soldiers
Édouard Manet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Mirope Savati Gaye
Mariano Fortuny Marsal · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Valley of the Bedford
William Hart · 1865 · Fogg Museum
Same era · 1850s–1880s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1850s–1880s
Peasants Bringing Home a Calf Born in the Fields
Jean-François Millet · 1864 · Art Institute of Chicago
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago



