Archimedes with telescope
Find the bald, bearded old man hunched on the cloud, squinting through a long telescope. He is the ancient Greek thinker, here watching modern events.

“This satirical print shows the ancient Greek mathematician Archimedes calmly observing a comical struggle as Englishmen try to dislodge their massive, beached ship, the "Leviathan." It's a sharp political cartoon from 1857, poking fun at British imperial efforts.”
In this lithograph, a lone figure, Archimedes, sits calmly on a rocky perch, seemingly oblivious to the frantic activity below him. A group of English figures, identifiable by their top hats and distinctive sideburns, struggle in vain to move a massive, beached ship named "Leviathan." The ship, a clear symbol of British naval power, is stuck fast, despite all their efforts. The scene, published in the French satirical newspaper Le Charivari in 1857, is a pointed commentary on contemporary Anglo-French relations and the perceived futility of British imperial ambitions. The artist, Honoré Daumier, often used his work to satirize political events and figures, and here he employs the ancient Greek mathematician Archimedes, known for his lever principle, to highlight the perceived absurdity of the situation. The stark contrast between Archimedes' serene contemplation and the Englishmen's frantic, almost comical, struggle makes for a powerful visual satire.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
Find the bald, bearded old man hunched on the cloud, squinting through a long telescope. He is the ancient Greek thinker, here watching modern events.
Far right, a huge ship lies on the shore like an empty shell. The caption says the English cannot get the Leviathan afloat, and that failed launch is the butt of the joke.
The name ARCHIMEDE curves over his head like a label in the sky. It identifies him instantly for readers of the newspaper.
Below his seat, a compass and a triangular set square rest against the cloud. These tools suggest he is the great geometer and engineer, looking down on the English attempt.
The cloud under him is built from loose, dark lithographic crayon strokes and soft smudges. It gives him a heavy yet floating perch above the land.
The full narration walks you through Archimède riant des efforts impuissants que font les Anglais pour mettre à flot le Leviathan, from Actualités, published in Le Charivari, December 5, 1857 — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
1856 · The Metropolitan Museum of Art
Adèlaïde...Il me semble que je vois...la comète! (Adelaide...I think I see the comet!), from Croquis Parisiens, published in Le Charivari, February 18, 1857
1857 · The Metropolitan Museum of Art
Ayant enfin trouvé..., from Actualités, published in Le Charivari, August 14, 1857
1857 · The Metropolitan Museum of Art
Ce perdreau est mort sur mon terrain..., from Émotions de Chasse, published in Le Charivari, October 10, 1857
1857 · The Metropolitan Museum of Art
Ce qui nous prouve comme quoi il est... inutile..., from Croquis Dramatiques, published in Le Charivari, May 23, 1857
1857 · The Metropolitan Museum of Art
Absinthe: The first glass, the sixth glass, from 'The Chinese of Paris," published in Le Charivari, December 22, 1863
1863 · The Metropolitan Museum of Art
A happy evening party in Clichy, from 'News of the day,' published in Le Charivari, March 16, 1865
1865 · The Metropolitan Museum of Art
A sudden awakening, from 'Parisian sketches,' published in Le Charivari, November 1, 1865
1865 · The Metropolitan Museum of Art
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