Honoré Daumier, 1857
This 1857 lithograph by Aaron Martinet, published in *Le Charivari*, is a satirical jab at English efforts, with Archimedes laughing at their fruitless attempts to move a massive 'Leviathan,' likely a political metaphor of the time.
This lithograph, titled "Archimède riant des efforts impuissants que font les Anglais pour mettre à flot le Leviathan," is a political caricature published in the widely popular French satirical journal *Le Charivari* on December 5, 1857. The artist, Aaron Martinet, was a prolific contributor to *Le Charivari*, known for his incisive social and political commentary through lithography. His work, as evidenced by numerous other pieces in the Metropolitan Museum of Art's collection, often appeared in series like "Actualités" (Current Events), reflecting on contemporary issues with wit and visual metaphor. This particular print likely satirizes a specific event or ongoing political tension between France and England, using the ancient Greek mathematician Archimedes as a symbol of intellectual superiority or strategic cunning, while the 'Leviathan' represents a cumbersome, perhaps British, endeavor. The medium of lithography on newsprint allowed for rapid production and dissemination of these visual commentaries, making them a powerful tool for shaping public opinion in 19th-century France. Martinet's consistent output for *Le Charivari* demonstrates his role in the vibrant tradition of French political cartooning, a tradition that often used classical allusions and exaggerated figures to deliver sharp critiques.
Archimedes's gleeful expression
The struggling figures attempting to move the 'Leviathan'
The detailed rendering of the ship-like 'Leviathan'
This 1857 lithograph by Aaron Martinet, published in *Le Charivari*, is a satirical jab at English efforts, with Archimedes laughing at their fruitless attempt…