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Three Male Heads by Honoré Daumier

Three Male Heads

Honoré Daumier · 1820

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DETAILS
Artist
Honoré Daumier
Date
1820
Medium
Pen and black ink, red and brown wash, over black chalk; on beige paper, lined
Location
The Metropolitan Museum of Art
Dimensions
Sheet: 4 3/16 x 8 9/16 in. (10.7 x 21.7cm)
Collection
Drawings and Prints
Credit line
Bequest of Gregoire Tarnopol, 1979, and Gift of Alexander Tarnopol, 1980
ART MOVEMENTS
Naturalism
THE ARTIST

Honoré Daumier

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Further Works by Daumier

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C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856 C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856 1856 · The Metropolitan Museum of Art Adèlaïde...Il me semble que je vois...la comète! (Adelaide...I think I see the comet!), from Croquis Parisiens, published in Le Charivari, February 18, 1857 Adèlaïde...Il me semble que je vois...la comète! (Adelaide...I think I see the comet!), from Croquis Parisiens, published in Le Charivari, February 18, 1857 1857 · The Metropolitan Museum of Art Archimède riant des efforts impuissants que font les Anglais pour mettre à flot le Leviathan, from Actualités, published in Le Charivari, December 5, 1857 Archimède riant des efforts impuissants que font les Anglais pour mettre à flot le Leviathan, from Actualités, published in Le Charivari, December 5, 1857 1857 · The Metropolitan Museum of Art Ayant enfin trouvé..., from Actualités, published in Le Charivari, August 14, 1857 Ayant enfin trouvé..., from Actualités, published in Le Charivari, August 14, 1857 1857 · The Metropolitan Museum of Art Ce perdreau est mort sur mon terrain..., from Émotions de Chasse, published in Le Charivari, October 10, 1857 Ce perdreau est mort sur mon terrain..., from Émotions de Chasse, published in Le Charivari, October 10, 1857 1857 · The Metropolitan Museum of Art Ce qui nous prouve comme quoi il est... inutile..., from Croquis Dramatiques, published in Le Charivari, May 23, 1857 Ce qui nous prouve comme quoi il est... inutile..., from Croquis Dramatiques, published in Le Charivari, May 23, 1857 1857 · The Metropolitan Museum of Art Absinthe: The first glass, the sixth glass, from 'The Chinese of Paris," published in Le Charivari, December 22, 1863 Absinthe: The first glass, the sixth glass, from 'The Chinese of Paris," published in Le Charivari, December 22, 1863 1863 · The Metropolitan Museum of Art A happy evening party in Clichy, from 'News of the day,' published in Le Charivari, March 16, 1865 A happy evening party in Clichy, from 'News of the day,' published in Le Charivari, March 16, 1865 1865 · The Metropolitan Museum of Art
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Young Woman Young Woman Millet · 1844 · Art Institute of Chicago Wooded Landscape Wooded Landscape Courbet · 1848 · Art Institute of Chicago Souvenir of Tuscany Souvenir of Tuscany Corot · 1845 · Art Institute of Chicago
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More works to explore

Beyond Daumier and Naturalism: works from the same years.

The Estuary Farm Same era · 1800s–1830s The Estuary Farm Léon-Victor Dupré · 1831 · Art Institute of Chicago Rome, from the Vatican. Raffaelle, Accompanied by La Fornarina, Preparing his Pictures for the Decoration of the Loggia Same era · 1800s–1830s Rome, from the Vatican. Raffaelle, Accompanied by La Fornarina, Preparing his Pictures for the Decoration of the Loggia J. M. W. Turner · 1820 · National Gallery Saturn Devouring His Son Same era · 1800s–1830s Saturn Devouring His Son Francisco Goya · 1820 · Museo del Prado Male Academy Figure: Half-Length, Side View Same era · 1800s–1830s Male Academy Figure: Half-Length, Side View Eugène Delacroix · 1819 · Karen B. Cohen Collection Two Men Contemplating the Moon Same era · 1800s–1830s Two Men Contemplating the Moon Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden The Farewell of Telemachus and Eucharis Same era · 1800s–1830s The Farewell of Telemachus and Eucharis Jacques-Louis David · 1818 · J. Paul Getty Museum Amédée-David, the Comte de Pastoret Same era · 1800s–1830s Amédée-David, the Comte de Pastoret Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania Same era · 1800s–1830s Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania Samuel Jones · 1819 · Art Institute of Chicago
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