“Step into a tranquil scene where a pool at the artist's family estate reflects hidden architectural and sculptural details, showcasing a unique bridge between Impressionism and Cubism.”
This painting invites you into a serene corner of the Jas de Bouffan estate, a property near Aix-en-Provence that was a frequent subject for the artist. Here, the pool's still surface acts as a mirror, reflecting the dense vegetation that surrounds it. Look closely at how the architectural and sculptural elements – a gate, a small building, and the ornamental figures of a lion and a dolphin – emerge from among the trees, their forms subtly linked to their reflections in the water. This work, created around 1876, offers a glimpse into a private world, rendered with a distinctive approach to form and color that bridges the gap between Impressionism and the nascent movements of the early 20th century. The scene feels both observed and constructed, inviting a prolonged gaze into its quiet depths.
- Artist
- Paul Cézanne
- Date
- 1876
- Location
- Hermitage Museum
What to Notice
Four details hide in plain sight. Here’s where to look.

The subtle reflections of the lion and dolphin figures in the water.
How the gate and small building are almost hidden within the foliage.
The varying shades of green defining the dense vegetation.
The stillness of the pool's surface, acting as a natural mirror.
Stand in front of it and listen
The full narration walks you through The Pool at Jas de Bouffan — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Paul Cézanne
1839–1906 · FrancePaul Cézanne, the French Post-Impressionist, built a bridge from Impressionism to Cubism, transforming how we see apples and landscapes.
Further Works by Cézanne
Gustave Boyer (b. 1840) in a Straw Hat
1870 · The Metropolitan Museum of Art
The Fishermen (Fantastic Scene)
1875 · Metropolitan Museum of Art
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
1888 · The Metropolitan Museum of Art
Rocks at Fontainebleau
1890 · The Metropolitan Museum of Art
Mont Sainte-Victoire
1904 · Detroit Institute of Arts
Auvers, Panoramic View
1874 · Art Institute of Chicago
Still Life with Jar, Cup, and Apples
1877 · Metropolitan Museum of Art
The Plate of Apples
1877 · Art Institute of Chicago
More from Post-Impressionism
More works to explore
Beyond Cézanne and Post-Impressionism: works from the same years.
Same era · 1860s–1890s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1860s–1890s
Chariot Race
Léon-Victor Dupré · 1876 · Art Institute of Chicago
Same era · 1860s–1890s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1860s–1890s
View of Marly-le-Roi from Coeur-Volant
Alfred Sisley · 1876 · The Metropolitan Museum of Art
Same era · 1860s–1890s
Beata Beatrix
Dante Gabriel Rossetti · 1877 · Birmingham Museums Trust
Same era · 1860s–1890s
Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin)
Edgar Degas · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
The Man with the Dog
Édouard Manet · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Woman at Her Toilette
Berthe Morisot · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Woman with a Parasol in a Garden
Pierre-Auguste Renoir · 1875 · Thyssen-Bornemisza Museum
Same era · 1860s–1890s
Woman with a Parasol – Madame Monet and Her Son
Claude Monet · 1875 · National Gallery of Art




