The Entombment by Albrecht Dürer

The Entombment

Albrecht Dürer · 1485

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“Stop to observe the raw emotion and dramatic contrasts in this early woodcut. It vividly portrays the moment Christ's body is laid to rest, inviting you to share in the sorrow of the scene.”

ABOUT THIS WORK

This woodcut, "The Entombment," captures a moment of profound grief and solemnity. We see the body of Christ being lowered into a stone sarcophagus, surrounded by a cluster of figures whose faces are etched with sorrow. The artist has used the stark contrasts inherent in the woodcut medium to create deep shadows and bright highlights, emphasizing the dramatic weight of the scene. Notice how the composition draws your eye down to the central action, with the figures forming a semi-circle around the tomb. The rough texture of the woodcut lines gives the drapery and the landscape a tactile quality, enhancing the emotional intensity of this pivotal biblical event. Produced early in the German Renaissance, this print reflects a period when artists were increasingly focused on conveying human emotion and narrative through powerful visual storytelling.

DETAILS
Artist
Albrecht Dürer
Date
1485
Medium
Woodcut
Location
The Metropolitan Museum of Art
Dimensions
sheet: 14 15/16 x 10 3/4 in. (37.9 x 27.3 cm)
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

The Entombment

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01

The dead Christ

Look at the pale, limp body at the center. The head drops forward and the legs hang, so you feel the full weight being carried.

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02

Man in vivid red

The young figure in bright orange-red on the left is the strongest color in the picture. He grips the sheet under the body and takes much of the load.

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03

Bearded older man

Behind Christ, a bald, bearded older man leans in close to the head and shoulders. His lined face and lowered gaze add a quiet, human grief.

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04

Feet and the sheet

The toes of the body barely touch the ground, and a sheet slings below the hips. The eye is drawn down to this point where weight and support meet.

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05

Unfinished golden patch

On the right, a rough patch of bare yellow-brown ground sits where the final paint layers seem never to have been added. It suggests the picture was left unfinished.

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THE ARTIST

Albrecht Dürer

1471–1528 · Duchy of Bavaria

Renaissance master who revolutionized printmaking across Europe before turning 30.

Read Dürer’s full story
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