The Lamentation by Albrecht Dürer

The Lamentation

Albrecht Dürer · 1477

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“Stop to see this remarkably early and emotionally charged sculpture of the Lamentation, where the detailed carving and surviving gilt bring an intense human drama to life.”

ABOUT THIS WORK

In this powerful depiction of the Lamentation, Christ's body lies across the laps of his grieving mother Mary and Mary Magdalene, after his removal from the cross. The scene is rendered with a striking emotional intensity, evident in the contorted expressions of sorrow on the faces of the mourners. The figures are carved from walnut and painted, with traces of gilt still visible, particularly on the drapery, which would have shimmered in the candlelight of its original setting. The detailed carving of the fabric, with its deep folds and heavy textures, adds a tangible sense of weight and gravity to the somber moment. This artwork, created when the artist was only around six years old, presents a remarkably early and sophisticated example of religious art, emphasizing the raw human suffering inherent in the biblical narrative.

DETAILS
Artist
Albrecht Dürer
Date
1477
Medium
Walnut, paint, and gilt
Location
The Metropolitan Museum of Art
Dimensions
83 x 48 1/2 x 13 1/2 in. (210.8 x 123.2 x 34.3 cm)
Collection
The Cloisters
Culture
Central Spanish
Credit line
The Cloisters Collection, 1955
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

The Lamentation

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01

Christ's slumped body

Look at the pale, limp body at the center, head thrown back and mouth open. The bright, smooth skin sets him apart from the darker figures and makes him the focus of the grief around him.

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02

The crown of thorns

At far left, a woman holds the woven crown of thorns in her hands. The tangled, spiky ring recalls the suffering that has just ended.

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03

Wounded hand and foot

Find the small red wound in the palm of the dangling hand at lower left, then the matching mark on the foot at lower right. Tiny touches of red quietly mark the wounds.

3 of 5 on the painting
04

Spilled glass vessel

At the bottom, a glass goblet holding dark red liquid stands near a toppled glass. Their fragile, shiny surfaces contrast with the rough rocky ground beneath the tomb.

4 of 5 on the painting
05

Gold patterned robe

The bald man at right wears a heavy robe shimmering with gold pattern, beside a striped woven cloth. The painter delights in showing rich fabrics.

5 of 5 on the painting
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THE ARTIST

Albrecht Dürer

1471–1528 · Duchy of Bavaria

Renaissance master who revolutionized printmaking across Europe before turning 30.

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