Plate with arms of the Tosinghi family by Artist Unknown - The Mercat Cross, Aberdeen

Plate with arms of the Tosinghi family

Artist Unknown - The Mercat Cross, Aberdeen · 1495

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“Stop to admire this lustrous maiolica plate from Renaissance Florence. Its shimmering surface and prominent family crest offer a glimpse into the wealth and artistic sophistication of the era.”

ABOUT THIS WORK

This vibrant maiolica plate, crafted in Florence around 1495, immediately draws the eye with its central shield bearing the coat of arms of the Tosinghi family. The Tosinghi, a prominent Florentine banking family, would have commissioned such a piece to display their wealth and status. The plate's surface shimmers with a metallic luster, a sophisticated technique achieved by firing the tin-glazed earthenware a third time with metallic salts. This iridescent finish, known as lustro, was a specialty of Italian maiolica workshops and made these pieces highly prized. Look closely at the delicate scrollwork and foliate motifs that frame the heraldic shield, executed with a lively hand. This piece isn't just a decorative object; it's a tangible link to Renaissance Florence, reflecting the city's rich artistic traditions and the patronage of its powerful families.

DETAILS
Artist
Artist Unknown - The Mercat Cross, Aberdeen
Date
1495
Medium
Maiolica (tin-glazed earthenware), lustered
Location
The Metropolitan Museum of Art
Dimensions
Overall: 3/4 × 8 7/8 in. (1.9 × 22.5 cm)
Collection
European Sculpture and Decorative Arts
Culture
Italian, Deruta
Credit line
Samuel D. Lee Fund, 1941
LOOK CLOSER

What to Notice

Five details hide in plain sight. Here’s where to look.

Plate with arms of the Tosinghi family
01

The Tosinghi family's coat of arms at the center of the plate.

02

The iridescent, metallic sheen of the lustered surface.

03

The intricate scrollwork and leaf motifs surrounding the shield.

04

The slightly raised, textured quality of the tin glaze.

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THE ARTIST

Artist Unknown - The Mercat Cross, Aberdeen

This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.

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