“Two men sit in quiet contemplation in this intimate etching, offering a glimpse into 19th-century Tangier and the artist's fascination with North African culture. Its delicate detail rewards a closer look.”
In this small etching, two Arab figures are seated in profile, their forms bathed in soft light against a shadowed background. The figure on the left, perhaps older, leans forward with a contemplative air, his hands resting on his knees. His companion, younger and more upright, gazes into the distance. The delicate lines of the etching capture the texture of their garments and the subtle contours of their faces, hinting at a moment of quiet reflection or conversation. This intimate scene, set in Tangier, reflects the Spanish fascination with Orientalist themes that emerged in the 19th century. The artist, Mariano Fortuny Marsal, visited Morocco in 1859, creating numerous sketches that informed his later works, including this one. The composition draws the viewer into a private world, emphasizing the dignity and presence of the individuals rather than any dramatic action.
- Artist
- Mariano Fortuny Marsal
- Date
- 1838
- Medium
- Etching
- Location
- The Metropolitan Museum of Art
- Dimensions
- sheet: 9 15/16 x 6 7/16 in. (25.2 x 16.3 cm) image: 3 3/4 x 2 3/4 in. (9.5 x 7 cm)
- Collection
- Drawings and Prints
- Credit line
- Bequest of Phyllis Massar, 2011
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate folds and patterns on the seated figures' clothing.
The subtle difference in posture and expression between the two men.
The play of light and shadow, especially on their faces and hands.
The texture of the ground beneath them, suggested by fine lines.
1 more detail is waiting.
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Mariano Fortuny Marsal
1838–1874 · SpainSpanish painter who died at 36 from malaria caught while painting outdoors, leaving behind shimmering Orientalist scenes.
Further Works by Marsal
Mirope Savati Gaye
1865 · The Metropolitan Museum of Art
An Arab Warrior
1862 · Hispanic Society of America
A Sketch
1862 · Hispanic Society of America
Patio of the Palace of the Duke of Alba, Seville: Raimundo de Madrazo y Garreta painting
1868 · Hispanic Society of America
The Portico of the Church of San Ginés, Madrid
1868 · Hispanic Society of America
African Chief
1870 · Art Institute of Chicago
Moroccan Horseshoer
1870 · Museu Nacional d'Art de Catalunya
Bearded Man
1871 · Hispanic Society of America
More from Romanticism
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Beyond Marsal and Romanticism: works from the same years.
Same era · 1820s–1850s
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Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Stormy Sea Breaking on a Shore
J. M. W. Turner · 1840 · Yale Center for British Art
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago




