Sketches of Butterfly Pen-holder, a Shell Pen-holder and Snail Ring-holder, and a Vase

Samuel Alcock & Company, 1845

MEDIUMGraphite
DIMENSIONSsheet: 13 x 9 5/8 in. (33 x 24.5 cm)
LOCATIONThe Metropolitan Museum of Art
COLLECTIONDrawings and Prints
CREDIT LINEThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956

Stop to appreciate these intricate graphite sketches from 1845, revealing the imaginative designs for butterfly, shell, and snail-themed desk accessories and a classical vase. It's a rare look into the creative process behind Victorian decorative arts.

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ABOUT THIS WORK

This graphite drawing offers a fascinating glimpse into the design process for decorative objects in the mid-19th century. On this single sheet, a butterfly pen-holder with delicate, outstretched wings shares space with a shell-shaped pen-holder, its surface rendered with a subtle texture. Below, a whimsical snail ring-holder curls its body, while a classical vase with a fluted neck and ornate handles stands upright. These sketches, created by Samuel Alcock & Company, reveal the intricate imagination and attention to detail that went into crafting everyday items for the Victorian home. The objects here reflect a taste for natural forms and historical styles, blending utility with decorative flourishes. This drawing isn't a finished artwork but a working document, capturing the initial ideas and forms before they were translated into porcelain or other materials.

LOOK CLOSER

What to Notice

1

The delicate veins sketched on the butterfly's wings.

2

The subtle shading that gives the shell pen-holder its rounded form.

3

The snail's coiled body, forming a practical ring stand.

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Audio Deep Dive

Stop to appreciate these intricate graphite sketches from 1845, revealing the imaginative designs for butterfly, shell, and snail-themed desk accessories and a…

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THE ARTIST
Samuel Alcock & Company

Samuel Alcock & Company, a prominent British business, was renowned for its intricate ceramic designs, particularly elegant cups and tureens, in the mid-19th century.

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