“Stop to appreciate these intricate graphite sketches from 1845, revealing the imaginative designs for butterfly, shell, and snail-themed desk accessories and a classical vase. It's a rare look into the creative process behind Victorian decorative arts.”
This graphite drawing offers a fascinating glimpse into the design process for decorative objects in the mid-19th century. On this single sheet, a butterfly pen-holder with delicate, outstretched wings shares space with a shell-shaped pen-holder, its surface rendered with a subtle texture. Below, a whimsical snail ring-holder curls its body, while a classical vase with a fluted neck and ornate handles stands upright. These sketches, created by Samuel Alcock & Company, reveal the intricate imagination and attention to detail that went into crafting everyday items for the Victorian home. The objects here reflect a taste for natural forms and historical styles, blending utility with decorative flourishes. This drawing isn't a finished artwork but a working document, capturing the initial ideas and forms before they were translated into porcelain or other materials.
- Artist
- Samuel Alcock & Company
- Date
- 1845
- Medium
- Graphite
- Location
- The Metropolitan Museum of Art
- Dimensions
- sheet: 13 x 9 5/8 in. (33 x 24.5 cm)
- Collection
- Drawings and Prints
- Credit line
- The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956
What to Notice
Five details hide in plain sight. Here’s where to look.

The delicate veins sketched on the butterfly's wings.
The subtle shading that gives the shell pen-holder its rounded form.
The snail's coiled body, forming a practical ring stand.
The classical fluting and handles on the vase.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Sketches of Butterfly Pen-holder, a Shell Pen-holder and Snail Ring-holder, and a Vase — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Samuel Alcock & Company
Samuel Alcock & Company, a prominent British business, was renowned for its intricate ceramic designs, particularly elegant cups and tureens, in the mid-19th century.
Further Works by Company
An Elegant Company
1632 · Art Institute of Chicago
Mr. James Mackie
1830 · Art Institute of Chicago
Old Tower at Avignon
1875 · Art Institute of Chicago
Lettered title: Christy
1845 · The Metropolitan Museum of Art
Lord Lyndhurst
1824 · The Metropolitan Museum of Art
The Early Ploughman
1856 · Art Institute of Chicago
Designs for Tureens and a Platter
1845 · The Metropolitan Museum of Art
Designs for Two Tureens and a Plate
1845 · The Metropolitan Museum of Art
More works to explore
Beyond Company: works from the same years.
Same era · 1830s–1860s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1830s–1860s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1830s–1860s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1830s–1860s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1830s–1860s
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849 · Art Institute of Chicago
Same era · 1830s–1860s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1830s–1860s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1830s–1860s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1830s–1860s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Portrait of Fred Adelbert Haywood
School of William Matthew Prior · 1848 · Art Institute of Chicago
Same era · 1830s–1860s
Portrait of Mary Ann (c.1796–after 1880), Wife of the Reverend George Balleine
Philip John Ouless · 1846 · Jersey Museum and Art Gallery
