Old Tower at Avignon by Samuel Alcock & Company

Old Tower at Avignon

Samuel Alcock & Company · 1875

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“This painting draws you in with its dramatic interplay of light and shadow, capturing a historic French tower under a captivating, turbulent sky. Notice how the sunlight illuminates the ancient stone, making it stand out against the approaching storm.”

ABOUT THIS WORK

A dramatic sky looms over the ancient stone tower in this painting, with sunlight breaking through to illuminate the historic structure. This 14th-century fortress, depicted here in Avignon, France, rises majestically from the landscape, its weathered walls reflecting in the Rhône River below. The artist, Samuel Alcock & Company, used saturated hues to capture the romantic quality of the scene, creating a vivid contrast between the sunlit tower and the gathering storm clouds. The detailed rendering of the architecture and the dynamic atmosphere suggest a careful study of light and its effects on the landscape. This particular work showcases a shift from the artist's earlier focus on New England scenery, reflecting a broader interest in European subjects during their extensive travels.

DETAILS
Artist
Samuel Alcock & Company
Date
1875
Medium
Oil on canvas
Location
Art Institute of Chicago
Dimensions
20.3 × 23.7 cm (8 × 9 5/16 in.)
Collection
Arts of the Americas
Culture
United States
Credit line
Mr. and Mrs. Martin A. Ryerson Collection
LOOK CLOSER

What to Notice

Four details hide in plain sight. Here’s where to look.

Old Tower at Avignon
01

The way sunlight catches the top of the tower, making it glow against the stormy sky.

02

The reflections of the tower and sky in the calm waters of the Rhône River.

03

The subtle variations in the stone of the tower, suggesting age and texture.

04

The dark, heavy clouds on the left contrasting with the bright sky on the right.

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THE ARTIST

Samuel Alcock & Company

Samuel Alcock & Company, a prominent British business, was renowned for its intricate ceramic designs, particularly elegant cups and tureens, in the mid-19th century.

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