“Stop and admire these detailed 19th-century designs for tureens and a platter. This drawing reveals the elaborate planning behind luxury ceramics, blending classical elegance with whimsical, naturalistic details for Victorian dining.”
This sheet presents a fascinating glimpse into the design process for elaborate serving ware from the mid-19th century. Dominated by two large tureens and a platter, the drawing showcases the ornate, almost sculptural quality desired for Victorian dining tables. The artist has meticulously rendered the forms with graphite, then added precise lines of pen and ink, before using brush and wash to give a sense of volume and shadow. Notice how the designs for the tureens feature classical motifs, like acanthus leaves and fluted bases, alongside more whimsical elements, such as the shell-like handles and finials. This blend of classical elegance and naturalistic detail was characteristic of the period's decorative arts, reflecting a desire for both grandeur and a touch of organic beauty in everyday objects. The platter, though simpler, maintains a similar decorative sensibility with its scalloped edge and delicate border. These designs were likely presented to a client or for approval within the Samuel Alcock & Company workshop, illustrating the careful planning that went into producing luxury ceramics.
- Artist
- Samuel Alcock & Company
- Date
- 1845
- Medium
- Graphite, pen and ink, brush and wash
- Location
- The Metropolitan Museum of Art
- Dimensions
- sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm)
- Collection
- Drawings and Prints
- Credit line
- The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate, shell-like handles on the tureens.
The delicate fluting and acanthus leaf patterns on the bases.
The subtle shading and depth created by the brush and wash technique.
The scalloped edge and refined border design of the platter.
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Samuel Alcock & Company
Samuel Alcock & Company, a prominent British business, was renowned for its intricate ceramic designs, particularly elegant cups and tureens, in the mid-19th century.
Further Works by Company
An Elegant Company
1632 · Art Institute of Chicago
Mr. James Mackie
1830 · Art Institute of Chicago
Old Tower at Avignon
1875 · Art Institute of Chicago
Lettered title: Christy
1845 · The Metropolitan Museum of Art
Lord Lyndhurst
1824 · The Metropolitan Museum of Art
The Early Ploughman
1856 · Art Institute of Chicago
Designs for Two Tureens and a Plate
1845 · The Metropolitan Museum of Art
Nine Designs for Decorated Plates
1845 · The Metropolitan Museum of Art
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Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
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Portrait of Mary Ann (c.1796–after 1880), Wife of the Reverend George Balleine
Philip John Ouless · 1846 · Jersey Museum and Art Gallery
